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From Jet Stix to Tinkle Tabs, these crazy ski products faded, fizzled or failed to stand the test of time. By Jeff Blumenfeld

As empty-nesting downsizers moving from Connecticut to Boulder, my wife and I had to contend with the accumulated flotsam of 30-plus years of marriage. It was especially hard to part with ski equipment, apparel and accessories. Each imparted great memories of days spent on the slopes.

I gave away my Graves skis. I unceremoniously pitched the Kneissl Blue Star OPs from the early 1980s, along with my Cevas and Club A one-piece suits.

But I couldn’t say goodbye to my Ski Wings. Yes, Ski Wings—butterfly-shaped air scoops that attach to ski poles. Four aerodynamically balanced nylon pockets form a cushion of air in front of you. Head straight down a steep bump run and you feel like you’re flying as you literally skim across the tops of moguls.

Originally known as ski sails, this odd product dates back at least as far as Leo Gasperl (1932) and Stein Eriksen, who used them in 1968–69 at Snowmass in Colorado (Skiing History, July-August 2011). They have since been reinvented in Europe as Wingjumps, “the first skiing equipment to offer the feeling of being lifted while skiing, in complete safety!” (That claim, of course, remains to be seen.)

What is it about skiing and snowboarding that inspires budding inventors?

“Scores of ingenious Rube Goldberg ideas have invaded the sport throughout its history,” writes ISHA chairman John Fry, author of The Story of Modern Skiing  (UPNE, 2006). “There was a ski whose performance could be altered by pumping air into it. Another ski contained rods that you could tighten and loosen to adjust flex and camber.
“Still another contained oil that allegedly caused the ski’s performance to alter in relation to snow surface and temperature. There were bizarre little devices to prevent skis from crossing, and a pair of swiveling rods to keep the skis parallel at all times, so that the skier would never suffer the embarrassment of being seen vee-ing them in a stem.”

Exploring Vintage Ski World

A leading connoisseur of crazy ski products is ISHA board member Richard Allen, 65, owner of Vintage Ski World, one of the largest private collections of ski memorabilia. Visiting his warehouse is a trip in itself: You drive uphill miles from Colorado State Highway 82 to reach a rustic five-acre hillside home and warehouse overlooking Mount Sopris and the Elk Range in Carbondale.

Allen, a former Aspen carpet cleaner, began collecting skis and other gear in the late 1980s, including a pair of handmade Norwegian wooden skis that his grandfather used in the early 1900s. Today his inventory includes 800 pairs of skis, including many in mint unmounted condition, plus hundreds of boots, poles and goggles, and thousands of pins, patches and posters.

When two episodes of Mad Men and the 2010 cult classic Hot Tub Time Machine came looking for vintage ski gear, Allen provided the necessary props, still regretting to this day that he sold movie producers his best neon outfits.

His home is packed with snowshoe lamps, sled coffee tables, a wall of vintage ski boots, toboggan bookshelves, ski mirrors that he makes himself, and even toilet plungers made from ski poles. Enter his warehouse and you’ve stepped back into skiing history.

There’s the very analog Skidometer, “the Simple Practical Ski Speedometer.” You wear it on the left sleeve, move the needle to the forward position, then read your highest downhill speed in miles per hour. It was invented in 1972 by New York neurologist Dr. Asa P. Ruskin and sold for $5.95. In a precursor to today’s warnings about texting and driving, it sagely cautions, “Do not attempt to read speed while skiing.”

Allen’s collection also includes heavy 1970s-era magnesium ski boots from DaleBoot—a hinged magnesium shell with a rubber closure over the instep. If Herman Munster skied, you’d see him in these. Mel Dalebout’s magnesium shell was produced from 1969 to 1971 and was paired with his patented silicon-injection custom fit inner boot, precursor of all injected foam boots (the magnesium may also have been the world’s first three-piece or cabriolet shell).

And there on a shelf was the Nava boot, part of a boot-binding system the likes of which were never seen before, according to Seth Masia writing in Skiing History (March 2005). Nava, an Italian manufacturer of motorcycle helmets and accessories, decided in the mid-1980s it needed a counter-seasonal winter product and designed this boot/binding system, introduced in Europe around 1986. It reached North America in 1988.

It consisted of a soft, warm, waterproof knee-high mukluk with an aggressive snow-walking tread. Hidden in the sole was a stainless steel lug that mated to a release binding on the ski; to provide edging power a spring-loaded lever arm was hinged to the back of the binding, Masia reports.

Ski journalist Steve Cohen writes in Ski Magazine (January 1990), “They tried to build the better mousetrap and succeeded. Unfortunately, they tried to sell them as ski bindings.”

My tour continues with the Bousquet Ski Tow Rope Gripper, patented in 1941 (Skiing History, March-April 2017) and the Digi 180 Sportlens System that had a brief run as a combined visor and ski goggle in 1993. Selling for $49.95 ($85 in 2017 dollars), its brochure touts total vision protection by completely “sealing eyes” and “combatting” the sun with full UV protection” (assuming you didn’t mind looking like a robot).

Surrounded by all this skiing history, I ask the soft-spoken Allen why skiing attracts such product innovation. “The joy of being outside and skiing opens the mind and spirit to ideas, including dreaming up new inventions,” he says. “Budding inventors who ski have a lot of chair time to dream up products and ideas.”

A Flash in the Pan

Following my exploration of Vintage Ski World, I surveyed a number of ski industry journalists, retailers and manufacturers to compile a strange collection of ski products—the sport’s equivalent of the Mos Eisley Cantina, the famed bar scene in Star Wars.

When this unique gear first came out, inventors had high hopes of generating untold riches as skiers and riders flocked to retailers to be the first on their block to own one. Consider how many of these unusual ski products were a flash in the pan, but evoke plenty of smiles today.

Skis are Overrated: Why endure the hassles of lugging skis around when all you need are slippery boots? That was the theory behind Dalbello SnowRunners, which were introduced in 1992 and covered that December in SKI Magazine. The plastic boots had metal edges on a slick, flat base and came in men’s, women’s and children’s sizes. They were later renamed Sled Dogs.
“Retailers acted like it was untreated radioactive waste as they saw people coming in and spending a thousand dollars less per person to get outfitted for a ski holiday,” says David Peri, a wintersports marketing consultant who was involved at the time.

To the bemusement of millions of viewers, Sled Dogs received their 15 minutes of fame during the opening ceremonies of the 1994 Winter Olympic Games in Lillehammer, Norway. You can still buy a pair online at sleddogs.com. (To see a video of a skier on Snow Runners, go to: https://youtu.be/_xYZmDwcWF8)

Snots Landing: Vail-based Snot Spot felt that your $160 gloves were missing a washable, slip-on bib to catch snotsicles. Launched in 2006, it didn’t have a good “run”—they’re now off the market.  

We’ll Drink to That: Taos is famous for its martini trees—hidden bottles of martinis hanging from trees. But why hunt around for a tipple when you can carry one in your poles? That’s where the 2004 Coldpole comes in, the “Liquid Reservoir Ski Pole.” The grip unscrews to provide access to the natural storage capability of the pole—about eight ounces. And the opening is durable plastic so your lips never touch cold metal. A cleaning brush is provided with every pair, which oddly makes us feel a whole lot better about this crazy ski product.

Hot Dogging: Here’s a clever concept that dates to the early 1960s: to keep skiers warm, we’re going to light a campfire in their pocket. Jon-E Hand Warmers, carried in a flannel bag, ran on lighter fluid and sometimes caused rashes where it met the skin. They were made by Aladdin Manufacturing Co. in Minneapolis, a place that presumably knows a thing or two about cold. These days, you can find a used model—if for some reason you want one—on eBay or Etsy.

Sit Back and Enjoy the Ride: Jet Stix first appeared during the 1970–71 winter season. Invented by former U.S. Olympian Jack Nagel, who ran the ski school and shop at Washington’s Crystal Mountain, these were fiberglass braces that fit the lower calf above the boot and secured in place using the top boot buckle. Before these came along, kids were fashioning them out of Popsicle sticks and duct tape, according to Gregg Morrill of Vermont’s Stowe Reporter (February 9, 2012).

Jet Stix were designed to be high-backs for low-back boots like the Lange Comp, a year before Lange introduced its own high-back boot in response to Nordica’s high-back race boots. They were helped along by universal adoption of avalement (allowing the knees to flex and absorb bumps) in racing, and general toilet turns by recreational mogul skiers.
The product was a temporary fix until skiers could buy new boots and had a very short life cycle. Morrill believes Jet Stix were pre-empted by the next fad, which was short skis. (Not the short skis we have today which were engineered for their shorter lengths, but just shorter lengths of the popular skis of the day.)

Tinkle, Tinkle Little Star: Men might find it hard to relate, but Roffe “Tinkle Tabs” were quite a hit through the 1970s when one-piece suits were popular. When the snap on the sleeves of a women’s jumpsuit was undone, and the tab was fed under the belt and snapped back into place, the sleeves of that $500 outfit couldn’t fall on the wet floor of the ladies room—and we can imagine how disgusting that can be.

Alas, when one-piece suits went the way of neon colors, it was buh-bye, Tinkle Tabs. Maybe they should have focused on a product to prevent ski gloves from falling into the toilet; it took years before resorts starting installing gear baskets in their stalls.

Two Hands Are Better Than One: Skiers aren’t the only ones t

o benefit from, er, innovation. With two handles and a set of bindings, the Two-Handed Snow Scooter was a snowboard designed in 2005 for control-freak master puppeteers—a very niche market, writes Illicitsnowboarding.com. It joins other crazy snowboard products including Lift Tethers and Legsavers for riding lifts. 

Somehow skiing and snowboarding survived these get-rich-slow schemes. But driving north up Route 100 in Vermont, I sure wish someone would invent a better-tasting gas station hot dog. That would be a product that’s not too crazy at all.

If you have a favorite odd or crazy product you remember using, or still use, tell us about it. Post it on our Facebook page (facebook.com/skiinghistory) or email kathleen@skiinghistory.org

Jeff Blumenfeld, an ISHA board member, runs Blumenfeld and Associates PR and ExpeditionNews.com in Boulder, Colorado. He is the recipient of the 2017 Bob Gillen Memorial Award from the North American Snowsports Journalists Association. For more information on Vintage Ski World, go to VintageSkiWorld.com.

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How a young Killington employee in 1963 found a new and better way to attach lift tickets to people. By Karen D. Lorentz

Jennifer Hanley was shocked when she went skiing in Tignes, France in 1987 and was handed a lift ticket and a wicket. “She had no idea the wicket had spread to Europe,” recalls her father Charlie Hanley, who invented the now-ubiquitous wire device in 1963.

“For 40 years, the wicket was useful,” he adds. He’s being modest. More than 50 years later—despite the development of new technologies and methods, like RFID cards and plastic zip-ties—wickets are still in use at ski resorts around the world.

In the summer of 1960, Hanley was running Golf-land, his miniature golf course and snack bar in Bomoseen, Vermont. “They could use you up at Killington,” said his Pepsi Cola rep. In need of winter work, Hanley scheduled an interview with Killington founder Preston Leete Smith.

“I was intrigued by the ski-area venture, so I agreed to design and build a kitchen system for the new base lodge,” says Hanley. “Killington couldn’t afford to hire me until after Christmas, so I said I could start in October and be paid retroactively. They jumped at the deal! I got $1.50 an hour.” That winter, he and his wife Jane also ran the resort’s food-service operation.

Recognizing Charlie’s expertise in writing detailed reports, Smith promoted him to “systems analyst,” a position that entailed “trying to solve any problem” that Hanley spotted. To address the theft of rental skis, he installed a Regiscope, “a machine I’d seen in a local supermarket. It took simultaneous pictures of the skier and rental slip and solved the theft problem because a picture is intimidating to a thief. It worked so well that we never had to develop the film.”

A bigger problem: transfer of lift tickets
Having started Killington on a shoestring in 1958, Smith faced a more serious problem with his stapled-on lift tickets. Not only did they leave holes in skiers’ clothing, they were often transferred from one skier to another, denying the area much-needed revenue.

“We noticed that some people were trying to attach tickets using pipe cleaners,” recalls Smith. “I wanted something with more strength yet less bendable, so it wouldn’t break or come off easily.”

Hanley remembers seeing a presentation in Smith’s office by a man wanting to sell “a complicated device. It was a regular keychain with a tiny ring attached at one end and a large coil at the other end.

“When he saw me studying it, the salesman said, ‘Oh, I see you, young fellow. You think you can find a way to make it simpler. Well, it can’t be done.’ I’ll never forget that. He was just arrogant enough to get me thinking. We sent him on his way and in five minutes I had the concept in mind. I took an eight-inch piece of wire and bent it in such a way as to allow the wire to be slipped through a zipper talon, belt loop or buttonhole, or around a strap. The heavy-duty paper lift ticket could be folded and stapled over the gizmo’s legs. We called it the gizmo until Jane came up with the name.”

“The U-shape reminded me of the wickets in croquet, so I suggested ticket wicket,” says Jane.

From design to patent
Offered a free trip around the country if he could prove that the wicket would sell, Hanley took his tall blond wife to a national ski operators’ convention, where she demonstrated how the wicket could be attached to clothing without damaging the fabric. As Jane shed various layers, she showed that the wicket would work with parkas, sweaters, stretch pants and, finally, a swimsuit.

Sales were so good that the Hanleys enjoyed the promised trip across ski country in the fall of 1963. “We visited most of the major areas in the United States—there weren’t that many then,” Charlie recalls. “Vail had just opened and I came away with a sense of awe.” Stops in Denver, Seattle, Snoqualmie and Sun Valley are standout memories, as was one visit to an Ohio gravel pit: “Someone had dug out dirt and piled it into a hill and put a lift on it.” Their late-1950s Citroën had a passenger seat that reclined, so one could sleep while the other drove during the three-week journey. 

For the 1963–1964 season, Killington sold 750,000 stainless-steel wickets to 62 U.S. ski areas. The next season, they switched to galvanized wire, which cost 40 percent less, and sold to 100 areas.  In the third season, they hired a Connecticut firm to handle the growing sales. A fall 1965 ad in Ski Area Management magazine read: “Stopping just one cheater in 1,000 skiers will pay for the cost of Ticket Wickets.” (A lift ticket cost $5-$7 then.)

The Sherburne Corporation was issued U.S. patent 3,241,255 on March 22, 1966 and Canadian patent 742,863 on September 20, 1966. Hanley had assigned the rights to Killington’s parent company because he had developed the wicket while on the area’s payroll. Interestingly, the patent applications anticipated sticky-backed tickets by noting that tickets could be secured to the wicket “with either an adhesive or staples.”

Wickets: Still Hanging around
Sherburne Corporation sued an Ohio firm for patent infringement in 1969 but eventually dropped the suit and sold the patent. “Others were infringing the patent [with different wicket shapes] but bringing lawsuits was costly. Since the patent only lasted for 17 years, it didn’t make sense to pursue the cases,” Smith says.

“The wickets sold for pennies, so it wasn’t worth the time or expense to sue. Ticket wicket wasn’t a money-making business, it was a way to solve problems,” Hanley adds.

Sometime in the 1970s, Killington shifted to using pressure-sensitive adhesive on the back of computer-generated tickets. In 2004–2005, the resort switched to the plastic tie that’s threaded through a coated “tag” ticket and looped to a closure. Although many areas have changed to tie-tag ticketing and others have adopted RFID cards, reports of the wicket’s demise are exaggerated: U.S. companies from coast to coast still manufacture and distribute ticket wickets, including Standard Portable (New York), Southington Tool & Manufacturing (Connecticut), and Amlon Industries and Gold Coast (California).

“Half the lift tickets sold today are secured to a guest via a wire wicket and half with ties,” says Jason Shoats, vice president of sales for Worldwide Ticketcraft. “Smaller areas can’t afford the new methods, and RFID [cards] are more expensive.”

A half-century later, Charlie Hanley’s ticket wicket is still hanging around.  

 

Vermont ski writer Karen Lorentz is author of Okemo: All Come HomeKillington: A Story of Mountains and Men, and The Great Vermont Ski Chase.

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Photo Caption: On April 19, 2017, The New York Times published an article by Kade Krichko titled “China’s Stone Age Skiers and History’s Harsh Lessons.” The article recounts the history of skiing in China’s remote Altai Mountains and the efforts to preserve its traditions while fostering a modern ski and tourism industry. The piece was prominently featured in print and online and likely reached more than one million readers.

 

In the article, Kade gives well-deserved acknowledgement to Shan Zhaojian, the father of modern skiing in China, as well as its chief ski historian. Shan is also the leader of the movement declaring that skiing originated here, thousands of years ago—a viewpoint that has sparked debate among historians. To read the article, go to: www.nytimes.com/2017/04/19/sports/skiing/skiing-china-cave-paintings.html?_r=0

 

 
Did skiing originate in the Altai Mountains of China? A recent New York Times article reignited the ongoing debate. STORY AND PHOTOS BY NILS LARSEN
 
In January 2015, I attended an international ski history conference in Altay City, China. The event was organized by Shan Zhaojian and Ayiken Jiashan, a multilingual guide, translator and educator from Xinjiang province. 
 
In the course of his work, Shan had became aware of several indigenous skiing populations in the nation’s northern regions. The largest and most active of these tribes live in the Altai Mountains of Xinjiang, between Mongolia and Kazakhstan. In January 2006, Shan and his associates, including longtime archaeological researcher Wang Bo, issued the Altay Declaration, stating that the Altay Prefecture in China was the world’s birthplace of skiing, some 10,000–12,000 BP (Before Present). Needless to say, this declaration has stirred controversy in the West. 
 
I first met Shan in Beijing in 2006, and again in 2007 at the traditional ski race in Altay City, an annual event that celebrates the declaration. We shared a strong interest in preserving the traditional skiing still found in the Altai Mountains, and with the help of Ayiken (my translator of both language and culture), we became friends, exchanging information and ideas on the Altai skiers and ways to support their ski culture. Though we were in agreement on the uniqueness and importance of the region’s ski traditions, we differed on the Altay Declaration. The main piece of physical evidence supporting the declaration are some cave paintings found near Altay City that appear to depict skiers in motion over a collection of wild animals. The paintings are wonderful, both in their location deep in the hills and in their execution. The dating, however, seemed problematic, and in talking to experts in the U.S. the difficulty in dating rock art was universally emphasized. 
 
Shan sincerely believes that skiing’s origins are to be found in the Chinese Altai, while I hold that skiing in the region is indeed very ancient and that the Altay area might be a place of origin. Indeed, the first written description of skiing is about skiers in the Altai Mountains (Western Han Dynasty, 206 BC to 24 AD), and the legendary Norwegian skier and writer Fridtjof Nansen points to the Lake Baikal/Altai region as the possible origin in his 1890 book First Crossing of Greenland. 
 
The ski history conference in 2015 was scheduled to overlap with the annual races in Altay City, and all attendees were given a firsthand view of traditional skiing, as well as the cave paintings. Before the last day, Shan approached a few of us about a final declaration of agreement for attendees to sign. Initially, the document read as unequivocal support for the 2006 declaration, something most of us from the West were not willing to sign. Karin Berg, the longtime director of the Holmenkollen Ski Museum in Oslo, was the standout diplomat in recrafting the text. After many hours of intense debate and multilingual rewrites, Shan, Ayiken, Karin and myself settled on a text that emphasized the region’s ancient skiing history and the truly unique use of traditional skis and technique still practiced there. 
 
In May 2017, Ayiken gave me an excellent paper written specifically on the rock pictographs that support the Altay Declaration. The paper (Naturalistic Animals and Hand Stencils in the Rock Art of Xinjiang Uyghur Autonomous Region, Northwest China) was published in 2016 and is written by Paul Taçon (Australia), Tang Huisheng (China) and Maxime Aubert (Australia), all experts in the study and dating of rock art. They suggest that the paintings are probably 4,000 to 5,250 BP. Ancient indeed, but likely not as old as the 10,000+ BP used by the 2006 declaration. This analysis is also not definitive, but it is the most detailed examination of the paintings to date.
 
If skiing, as it seems possible, dates back 10,000 years or more, identifying a precise point of origin (or origins) will be difficult at best. Nansen’s regional point of view seems much more likely. These “first” discussions often get bogged down in politics and national pride and can elevate the “when” over the much more useful study of “how” and “why.” China provides only the latest example of this focus on “first.” Since the emergence of skiing in greater Europe in the late 1800s, Norway has often been considered the birthplace of skiing. Norway has promoted this view and it is a point of national pride. 
 
In digging into the subject of ancient skiing, I have found very little original research that stretches beyond our view of skiing as a sport. Sadly, in the last century, dozens of traditional ski cultures that viewed skiing as an essential utilitarian tool have faded and died without study. Each of these cultures had a unique style and method. In searching for remnants of traditional skiing in northern Eurasia, I have heard a similar refrain: “My father skied,” or “my grandfather skied” or “our people used to use skis.” Sadly, these mostly end with “but not anymore.” 
 
Nils Larsen has been researching traditional skiing in the Altai Mountains since 2005. In his nine trips there he has produced an award-winning documentary (Skiing in the Shadow of Genghis Khan), led a National Geographic team (published in the December 2013 issue), written a number of articles, and assisted with the 2015 International Ski History Conference in Altay City, China. His research is ongoing.
Photo Caption: Archaeological researcher Wang Bo at the cave paintings near Altay City. The paintings depict skiers in motion (upper left) over  hunted animals.  A 2016 paper  suggests the artwork may be 4,000 to 5,250 years old—ancient, but not as old as the 10,000-plus estimate used in the Altay Declaration.
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What made 1967 one of the most memorable seasons in alpine ski competition history.
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By Yves Perret

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It was greater than his famous Olympic gold-medal hat trick. In an exclusive interview, Jean-Claude Killy recalls the first season of the World Cup, 50 years ago, when he won 12 of the 17 races, including all of the downhills, and finished on the podium in 86% of the races he entered, a record that’s never been surpassed.

Fifty years after the fact, 1967 remains one of the most memorable seasons in alpine ski competition history. Not only did it introduce the new World Cup—skiing’s first use of a season-long series of competitions to determine the world’s best—but it also resulted in an astonishing, never-to-be-repeated record. 

Jean-Claude Killy of France won 12 out of the 17 slalom, giant slalom and downhill races on the calendar. He was the victor in all the classic downhills, and the Hahnenkamm and Wengen combineds, something no man has since done. 

Jean-Claude Killy of France won 12 out of the 17 slalom, giant slalom and downhill races that made up the 1967 World Cup season. He was the victor in all the classic downhills, and the Hahnenkamm and Wengen combineds, something no man has since done. For the whole season, he participated in 29 races, and won an amazing 19 (66 percent) of them. He finished on the podium in 86 percent of the competitions he entered. He also won six of the season’s downhill-slalom "paper" combineds.

Killy won the first World Cup crystal trophy with a perfect 225 points, the maximum possible in a system in which a racer, who’d won three races in a discipline, could not earn more points in it. First-place was worth 25 points, compared to 100 points today. His one-man World Cup point total topped that of a whole nation—Italy, West Germany or the United States. 

In 1965 in SKI Magazine, Serge Lang had crowned him with the nickname “King Killy,” a title repeated by newspapers and magazines around the world. Last summer, the “King,” 73, invited me to his home near Geneva. On the table in front of us Killy spread open neatly organized, thick albums of press clippings displaying the highlights of his exceptional career. Written in upright handwriting in the notebook containing his race results, is the sentence “La victoire aime l’effort” (Victory loves effort). Over several hours of conversation, he was once again the best skier on the planet.

INTERVIEW: Part 1

Jean-Claude, how do you look back at your 1967 season, and how did it come together after what had occurred in the previous seasons?

If the World Cup hadn’t been invented, my 1967 season might not have been what it was. It was a greater achievement than my 1968 gold-medal hat trick at the Grenoble Winter Olympics, for which most people remember me.  

I got there by a slow process of building. My constant obsession was winning. I managed to pull off a couple of wins, like the Critérium de la Première Neige in 1961 when I was 18 years old. In 1963, I finished in second place 11 times. And the 1964 Winter Olympic Games in Innsbruck were a technical disaster. I lost the toe piece of my binding in the slalom. In the downhill, my edges weren’t correctly sharpened, and I fell on the first fall-away turn. I finished fifth in the GS. In short, I wasn’t ready. 

The week after the Olympics I won the giant slalom of the Arlberg-Kandahar in Garmisch, Germany, ahead of my American friend Jimmie Heuga. It proved that I’d brought my skiing to a decent base, but there were still kinks to be worked out. 

I hadn’t yet resolved health issues that had affected me since I suffered jaundice when I served as a 2nd class soldier in the French Army during the Algerian war. I was skinny. I lacked endurance. In Paris, journalist Michel Clare introduced me to Doctor Creff, a specialist in exotic diseases. He found out that I also suffered from
amebiasis, and helped me to recover. But I had to work a lot harder than my teammates to be in top physical shape. 

I also needed a system that would allow me to be successful and consistent in not just one, but all three alpine disciplines—slalom, giant slalom and downhill. Specialization limits the opportunities to win. I wanted to develop a system that would address all of the variables that make alpine ski racing such a complex sport—equipment, start number, ski preparation, snow type, weather conditions and more.  

What made a difference?

A key challenge was equipment. It’s crucial to have the best. You can’t allow yourself to lose because of your skis. I skied on two different brands, Rossignol and Dynamic, without having an exclusive contract with either company. It allowed me to choose the pair of skis that would be best for each race. 

At the 1966 World Championships in Portillo, Chile, I used Rossignols in the GS, and Dynamics for the other events. In 1963, in the Kandahar, I even finished second on a pair of Austrian downhill skis.  I was prepared to make financial sacrifices so that I’d be free to use the equipment I wanted.

Above all, I was helped when the Dynamic ski company hired Michel Arpin to take care of my skis. He was from the town of Saint-Foy-Tarentaise, right near my hometown of Val d’Isère. We spoke the same local dialect. Michel had an amazing practical intelligence. Like me, he’d dropped out of high school at 15. When we started our collaboration, I told him: we will make fewer mistakes because we are going to know more than the others. I trusted Michel completely, and I knew that my skis were in the best possible hands.

Describe the process that took you to the top.

As members of the French national team, we spent the whole winter together. But before the first fall training camp we each pursued our own way of doing things. I was on a personal, obsessive quest to figure out what would help me improve, fueled by an overwhelming passion for skiing focused on racing. I opted not to continue my studies. I dropped out of high school. For many young racers, it’s a questionable decision. It limits your options, and can complicate finding a career after ski racing. For me, though, racing was a healthy obsession. It didn’t lessen my ability to think on my own. My aim was to be a free man. Skiing became my profession. 

Winning was all that mattered. I didn’t have a choice. It was simply my only form of expression. France’s head coach Honoré Bonnet understood that. The goal was to win races. 

What were the keys to your success?

Beginning in 1965, several factors came together, fueling the French national team’s growing momentum. The organizational talent and coaching of our leader Honoré Bonnet was one factor that helped us. Another was support from French ski industry—manufacturers like Rossignol and Dynamic skis, Trappeur boots, Salomon and Look bindings. French ski resorts and hotel owners also welcomed us with open arms, charging us next to nothing for lodging and meals. The atmosphere in France at the time was incredibly supportive of ski racing. 

“Our athletes are our best ambassadors,” declared France’s President General Charles de Gaulle. All of a sudden we went from the dormitories of a simple UCPA outdoor center to four-star hotels.

It was the beginning of a golden age for the sport. . . a convergence of increased financial resources, the right people, and experienced professionals. Plus, television broadcasting had gone international, transforming athletes into stars.

In 1965, after nine wins and seven second-place finishes, I was voted the Martini Skieur d’Or, and Champion of Champions by the newspaper L’Equipe. One by one, I’d assembled the pieces of the puzzle.

What was the impact of the World Cup’s creation on the outcome of your incredible 1967 season?

The specific formula and name for the World Cup didn’t come from the racers, but the idea—the force for change—did. Racers were exasperated that their entire careers could depend on a single day’s result in the Winter Olympics, or once every four years when a separate FIS World Championships were held. Nothing big happened in odd-numbered years. Careers were short. Few racers enjoyed the chance to ski in two Olympics. We often discussed our frustration, and what could solve the problem. 

We were all fans of Formula 1 car racing, in which the best are determined by accumulated results over a season-long competition. So it was easy for us to embrace the plan for a World Cup of Alpine Skiing formulated in 1966 by journalist Serge Lang, collaborating with   America’s Bob Beattie, France’s Honoré Bonnet, and Austria’s Sepp Sulzberger, supported by the Paris-based sport daily l’Equipe and journalists like Michel Clare—and John Fry, who added the Nations Cup to the mix. 

During the August 1966 World Alpine Championships at Portillo, Chile, FIS President Marc Hodler gave it the green light. It would enable us to accumulate points in a series of races, including the classics of the Kandahar, Kitzbühel and Wengen, as well as races every winter in America. The mineral water company Evian supplied beautiful crystal trophies. 

At Portillo, I remember being in the finish area of the downhill after my gold medal win. Everyone was crying. Serge Lang said to me, “The World Cup is coming. What’s your strategy going to be?”

“I’m going to fly through it,” I answered. “It’s going to be a lot of fun.” In my mind, I was going to get the most out of the new system in order to take my sports career to a new level. From then on, more than just the big classic events in the Alps would be the measure of a successful season.  

How would you describe the relations among members of the French team?

We trained together and we competed against each other every weekend. Even to this day, we’re like brothers. 

In the spring of 1966, we skied run after run together on the Pissaillas glacier at the Col de l’Iseran, preparing for Portillo, Chile—the only FIS World Alpine Championships ever held in the southern hemisphere. Our different strengths and personalities helped us to support each other. There was always a deep feeling of mutual respect and humility. 

Our inspirational leader Bonnet, 47, a year away from retiring, had put in place a system that functioned superbly, both for the men and for our great women’s team at the time. Each member of the team had his own role. Michel Arpin took care of my skis and did timekeeping. I could fully rely on his technical expertise. 

Jules Melquiond brought to the team a calm, serene temperament; we were roommates for seven years, and we never had even the most minor ego clash. Team captain Guy Périllat was listened to and respected. Léo Lacroix contributed his optimism, good humor, and especially his talent. Georges Mauduit, the giant slalom specialist, and Louis Jauffret, the slalom specialist, were magnificent skiers.

All of these talents, plus the combination of our different temperaments, made for a tremendous and cohesive squad.

The 1967 season began in December 1966 at your home resort of Val d’Isère, with the traditional Critérium de la Première Neige . . .

The race was special that year because it was the first time it was held on the new Daille run, called Oreiller-Killy or OK, which I had helped to design. (Editor's note: Henri Oreiller was 1948 Olympic downhill gold medalist.) Léo Lacroix, who won the race, still laughs when he recalls it today. “I’m the only one to have beaten Killy in downhill in the 1967 season,” he says. I remind him that it was in December 1966. The Critérium didn’t yet count for World Cup points. The World Cup didn’t begin until January 5th at Berchtesgaden, Germany, where I finished third in the GS. 

Your first success came a couple of days later in the GS at Adelboden, Switzerland, the first in a series of eight victories, counting the Combined. You went on to win twice (downhill and slalom) at Wengen, also in Switzerland. What was the importance of this double win?

At Adelboden, I won with the GS with bib number 13. It was no bad luck for me! Adelboden has always been a benchmark for the GS. Winning there confirms a certain level of physical training and technical skill. In any season, too, the first win is significant.

At Wengen, in the downhill on the Lauberhorn, I was 25 hundredths of a second faster than Léo Lacroix. It was the first French victory in the Lauberhorn since Guy Périllat’s win in 1961. It was even sweeter because the Austrians, who maybe thought our triumph in the World Championships five months earlier at Portillo was a fluke, were expecting us to fail. It was an important moment for the whole French team.

At Wengen I also dominated the slalom, which I felt was the steepest and hardest of the year. With this triple victory-—I won the combined—I got the impression that I was finally playing in the big leagues for good. The next week would be the incredible challenge of Kitzbühel.  

In the March-April 2017 issue of Skiing History, we’ll present the second part of this exclusive interview with 1967 World Cup overall men's alpine champion Jean-Claude Killy, plus an interview by journalist Michel Beaudry with Nancy Greene-Raine of Canada, who won the 1967 women’s overall World Cup title. The World Cup is celebrating its 50th anniversary this season.

Interview by Yves Perret
Yves Perret, who heads a sports media agency in Grenoble, is the former sports editor of the Dauphiné Libéré newspaper, and was editor-in-chief of Ski Chrono.

Jean-Claude Killy winning the classic Lauberhorn downhill at Wengen
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From the freestyling Seventies to the rock-and-roll Eighties and high-tech, high-ticket Nineties, men’s skiwear kept up with the times.  

By Barbara Alley Simon
Photography by Scott Markewitz

Park City locals had a blast modeling vintage men’s skiwear during Skiing History Week in Utah (see page 33). These classic outfits, selected from the Barbara Alley Collection at the Alf Engen Ski Museum, depict a three-decade progression of design for the male skier.

The 1970s was the decade of disco, the first freestylers, wet T-shirts and streakers, and men’s ski suits were sleek and sexy, as well as colorful for exhibitionist hotdoggers. The 1975 suits pictured in the photo above used stretch fabric with stretch insulation, which gave flex to the tight fit. Jackets were short, so pants needed higher waists and shoulder straps. Chris Neville’s red Bogner jacket has tri-color stripes that run down the back. Grandoe gloves pick up the trim. Nick Hansen’s bright yellow HCC (Henri–Charles Colsenet) two-piece has bell-bottomed pants that fit smoothly over ski boots. The hat is HCC; the goggles are by Smith; the poles are by Collins; skis by The Ski with Burt retractable bindings.

As you’ll see on subsequent pages, the 1980s began with classic colors but midway moved to neons. Silhouettes shifted too, from slim on the top and wide on bottom, to wide on the top with slimmer legs. The neons, of course, were great for flat light and finding kids. Thinner but warmer insulations (such as Thinsulate) and free-hanging waterproof liners (such as Gore-Tex) gave designers more play. Outfits may not have looked it, but they were warm.

The 1990s went high tech and high ticket. A suit that cost $245 in the ’70s could cost $1,000 by then, especially with embroidery. Solar fabrics, ceramic insulations and special liners all arrived on the scene, plus pockets—the more the merrier for men. 

I’ve always thought sexy stretch pants contributed to the growth and popularity of skiing. So what’s hot in 2014? Looks to me like Bubble Heads and Baggy Pants. Guess that leaves sexy to the imagination. 

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From Turkey to Turin, the Occasionally Murky History of Snowboarding’s First 400 Years

By Paul J. MacArthur

The origins of snowboarding are poorly documented. Conceived and promoted by hobbyists, the exact beginnings and history of the sport are often disputed as some pioneers try to position themselves in the history books. As Chuck Barfoot, who started building boards in the 1970s, notes, “The dates keep getting pushed back.” 

When the first person rode a single plank through the snow is unknown, but anecdotes of miners in Austria riding a long wooden board with a rope or handlebar for balance—the device was called a ruariser knappenroesser (nicknamed the knappenross)—date back to the 16th century, and there are tales of a knappenross race taking place in the 1800s. Another invention called the ritprätt (also called the rittpritt), on which a rider could sit or stand, is supposed to have been used in the Swiss Alps during a similar timeframe. Austrian Toni Lenhardt is believed to have ridden a monogleider (which translates to “monoslider”) in 1900. It’s said Lenhardt used his invention in the Alps and held a monogleider contest in 1914 in Bruck an der Mur. Whether knappenross, ritprätt, or monogleider riders rode their boards like snowboards or monoskis is still being researched. 

There are also claims that U.S. soldiers stood sideways on barrel staves and slid downhill during World War I. A number of snowboard history Websites mention M. J. “Jack” Burchett, who supposedly took a piece of plywood or a barrel stave, secured his feet with clothesline and horse reins, and sailed through the snow in 1929. Who was Burchett and where did he live? No one knows. The source of the story was the grandfather of a friend of a guy who worked at Transworld Snowboarding. There’s also the tale of someone in Finland snowboarding in 1932, and the list goes on.  

Many of these stories are just considered part of snowboarding’s disputed folklore. Until recently, Western snowboard historians were apparently unaware of any community that was actively riding snowboard-like devices when snowboarding’s modern era began in the 1960s. Then, in January 2008, while working on the O’Neill film Legends, snowboarders Jeremy Jones and Stefan Gimpl journeyed to Turkey’s Kaçkar Mountains and were introduced to people in a remote village who ride sideways on a flat, rectangular, toboggan-like device called a lazboard. The lazboard has a balance rope attached near the front and the rider holds a stick with the rear hand to assist in steering. According to legend, the practice began some 400 years ago for fun and it made traveling in deep snow easier. Ninety percent of the town rides and no one has ever skied. Based on current research, this community—which had been featured on Turkish television before the O’Neill crew was introduced to it—has been actively riding snowboard-like devices for a continuous period longer than any other population.

Curiously, the Turkish boards bear a strong resemblance to a controversial “sled” patented in 1939 by Gunnar and Harvey Burgeson and Vern Wicklund. The curved sled has a grooved rubber pad, a strap for the rear foot, a rudder, and a rope on the front. Like the Turkish riders, Wicklund used a stick for steering. According to The Snowboard Journal, Wicklund created the device as a teenager circa 1917 in Cloquet, Minnesota. In the late 1930s he attempted to sell the boards, but was never able to find a financial partner and the idea was dropped by the dawn of World War II. Yet, despite being referenced in at least five 1960s single-plank patents, including the legendary Snurfer, Wicklund’s board was virtually unknown to most members of the snowboarding industry during the sport’s post-1970s explosion. Then, at the 2000 Snowsports Industry of America (SIA) Trade Show in Las Vegas, Burton Snowboards produced the original Wicklund patent, a Wicklund sled, and a film of Wicklund riding at the Nordic Hills Country Club in Oak Park, Illinois in 1939. Though Wicklund rode his “sled” into his 40s, and the board is a predecessor to the modern snowboard, there’s no evidence the invention had any influence on modern snowboarding. 

After World War II, more Wicklund-like boards were patented, including O. J. Lidberg’s 1948 Glider Sled, which suggested the use of a stick for steering, and Arthur Juntunen’s 1949 Toboggan, which did not. Both incorporated balance ropes on the front. But the explosion of single-plank inventions didn’t happen until the 1960s, when several snowboard-like patents were granted. Carl E. Hagen’s 1967 Snow Board looks like a toboggan, but the front and back are turned up at sharp angles. Craig T. Christy’s 1967 Snow Surface Rider is basically a skateboard for the snow with a rudder on the bottom and blocks on the deck so riders could brace their feet. Joel Salisbury’s 1968 Snow Sled looks like a small surfboard, while John Fulsom’s toboggan-like 1968 Snow Ski Board curves upward on the front and has rudders on the bottom. James L. Rippetoe’s 1968 Slalom Snow Ski is based on a water-ski design, with the front foot facing forward and the rear foot turned at a 45-degree angle to the length of 

the board. Victor T. Berta’s 1969 Snowboard has magnets to help keep boots in place and Ronald Carreiro’s 1971 Snow Surfboard bears a resemblance to a small rounded wakeboard with a braking device on the bottom. None of these devices really dented the marketplace.

One invention, however, did: Sherman Poppen’s Snurfer (see “Sherman Poppen: Snowboarding’s Godfather,” in the June 2008 issue). Poppen created the Snurfer on Christmas morning in 1965 by cross-bracing two skis together. He later attached a rope to the front and licensed the invention to Brunswick, and years later JEM. Launched in September 1966,  the Snurfer was a hit as more than 750,000 were sold nationwide during the 1960s and 1970s. More than any other invention, the Snurfer inspired a generation of kids to surf the snow, including future snowboard innovators Jake Burton, Chris Sanders, Bob Weber and Jeff Grell.

Toms Sims and the Skiboard

A New Jersey native and skateboard icon, Tom Sims is one of snowboarding’s most important figures. His snowboard company was one of the industry’s top brands from the late 1970s through the mid 1990s, and he was one of the sport’s first stars. Sims doesn’t consider Wicklund’s sled, the Snurfer or the lazboard snowboards. “When you have a rope on the front of a board, it is no longer snowboarding,” says Sims. “When you are dragging a stick for balance behind you, it is no longer snowboarding ... Snowboarding is riding a single board down a mountain with your hands free.”

Sims has claimed for decades that he invented snowboarding, though no patents bear his name. His assertion rests on the fact that in December 1963—as a skier and skateboard fanatic who was already fashioning his own skateboards—he made a three-foot piece of rectangular wood with aluminum sheeting into his first “skiboard.” The crude plank allowed him to mimic skateboarding on the snow and he continued to modify his boards throughout high school. After a brief stint at New Hampshire’s Hawthorne College, Sims moved to Santa Barbara in 1970, right before the skateboarding scene exploded. He ran a small skateboard shop and eventually morphed it into one of skateboarding’s leading manufacturers. In 1976, he was skateboarding’s world champion and co-holder of the high jump record, and was also making prototype skiboards.

In 1977, Maryland-based Bob Weber contacted Sims Skateboards, talking to both Sims and his employee, New Jersey native Chuck Barfoot. Weber had been working on his own version of the snowboard and needed a partner. He’d already trademarked the term “Skiboard” in 1975, patented his own variation of the snowboard (called a Mono-Ski) in 1975, and, according to at least one account, had been selling a different patented version of his skiboard by mail order circa 1977. Weber, Sims and Barfoot worked together to create the legendary Flying Yellow Banana Skiboard, which was launched to the public during the 1978–1979 season. The board consisted of a large plastic shell with a skate deck mounted on top. Though it wasn’t exactly what Sims envisioned, it enabled Sims and Barfoot to get a board on the market while they modified their prototype skiboards.

The Flying Yellow Banana didn’t threaten the ski business and Sims quickly discovered that selling a product in a hot industry like skateboarding was considerably easier than creating a market for a new product. “I sent Chuck Barfoot and Bob Weber on a sales trip to Utah to try to sell our snowboards,” he recalls. “Chucky was excited that he got two stores to think about maybe taking some boards on consignment. That was the success of the sales trip: two stores considering putting some snowboards on consignment. That’s how tough it was.”

Dimitrije Milovich and the Winterstick

In 1970, Dimitrije Milovich read a letter to the editor concerning “snow surfing” by Bayonne, New Jersey native Wayne Stoveken in Surfing magazine. Born in Holland, Milovich grew up in White Plains, New York, and upon reading the letter, found the surfer who had been making boards since 1964. That winter, he borrowed one of Stoveken’s boards—a six-foot, 20-pound piece of redwood—and tried it out at a local ski area. “I was hooked,” he told the Deseret News in 2003. “That was the coolest thing I ever did.”

Stoveken taught Milovich how to build boards and they received two Snow Surfboard patents in 1974 that are generally considered the first modern snowboard patents. In 1972, Milovich dropped out of Cornell University and moved to Salt Lake City to enjoy the champagne powder. That winter, he was allowed to try out his prototypes at Snowbird and made ends meet by handing out towels at the resort’s sauna. Stoveken would follow in 1974 and the two opened a shop in Salt Lake, where they built and sold a few boards. They called them Wintersticks.

Wintersticks had foot straps, leashes and no rope. Milovich was the first snowboard maker to use fiberglass, a polyurethane foam core, a P-Tex bottom and metal edges; he quickly discarded the latter, as they served no purpose in Utah powder. The early Wintersticks received national attention in SKI in 1974 and Newsweek in 1975. “Dimitrije probably was the first to actually build a rideable modern snowboard,” says Sims. “When he marketed those, that really raised eyebrows. [It proved] that snowboarding was much more than Snurfing.” 

When orders for the prototypes started to come in, Milovich formed the Winterstick Company with Don Moss and Renee Sessions during the 1975–1976 season. (Homesick for the Jersey shore, Stoveken had moved back East. He passed away in 1978 from a respiratory illness.) There were two Winterstick designs: the round tail and the swallowtail, the latter having a large split in the rear that helped it sink deep into powder and also acted like a fin for control. “They helped push things,” Burton says of Winterstick. “They had some great powder riding.” 

Milovich tried to sell his Wintersticks at the SIA and NSGA shows in 1977, but potential buyers were not interested in the boards. “At the 1977 SIA Trade Show, we were sure all we had to do was show up and we would get dozens, if not hundreds of orders,” Milovich told Slug Magazine in 2002. “We had a film and posters, but of course we didn’t sell anything. We were pretty heartbroken. That was our first introduction to the market.” Nonetheless, he pressed forward and during the 1978–1979 season Wintersticks were being sold in 11 countries. By the early 1980s, the boards were a small cult phenomenon in Europe, France in particular, where Regis Roland popularized them in the classic film Apocalypse Snow.

Jake Burton Carpenter and Burton Boards

When Jake Burton Carpenter was 14, his parents bought him a Snurfer. Already a proficient skier, the Long Island teenager liked the single-plank design, the lack of uncomfortable footwear, and the board’s surfing sensation. While he was a competitive skier—he had a shot at making the University of Colorado at Boulder’s NCAA championship ski team before fracturing his collarbone in a car accident—Burton always preferred Snurfing to skiing. “You just have so much more feel,” he says. “You’re riding as opposed to skiing. That just appealed to me from the start.” 

After graduating from New York University with a degree in economics in 1977, Burton worked for a mergers-and-acquisitions firm. But he had also been tinkering with different Snurfer-like devices for years and was convinced there was a viable market for them. After a falling out with his boss, Burton left the financial field behind and moved to Londonderry, Vermont during the 1977-1978 season to form Burton Boards. He brought his boards to market during the following season and sold a paltry 300 units. Having blown through a $100,000 inheritance, that summer he was back on Long Island teaching tennis during the day and tending bar at night. “That was rock bottom right there,” Burton says. “Everybody rejected (snowboarding) sort of out of hand. I visited skateboard shops, surf shops, ski shops, windsurfing shops, and nobody wanted any part of it.” 

During the 1979–1980 season, Burton was back in Vermont hawking his boards. He sold 700 units and figured the 133 percent increase was a trend. “For years the company doubled its business,” Burton recalls. “Even though financially we were very much behind the eight ball, from the perspective of having confidence about what was going on, I felt a lot more positive after that.”

Several hundred other snowboard manufacturers emerged over the next two decades. Some of the notable early entrants include Washington-based Mike Olson’s GNU Snowboards,  Rhode Island’s Steve Derrah, who extended his Flite skateboard operation into snowboards, California’s Jack Smith’s A-Team sand and snowboards, and Chris and Bev Sanders’ Avalanche Snowboards. Additionally, Barfoot left Sims in 1981 and formed Barfoot Snoboards.

Under-capitalized hobbyists, who lacked the business savvy necessary to succeed, ran most of the snowboard companies that materialized during the 1980s and 1990s. “We had companies that would be a guy with a press in his garage that made 100 snowboards,” laughs Lee Crane, former editor of Transworld Snowboarding. “As the industry changed and people got more serious about the business, shops realized the guy with 100 boards from the garage wasn’t going to be able to support it.” The typical snowboard company was out of business in a few years.

The first contests and stars

The first single-plank contests were the Snurfing competitions held at Block House State Park in Michigan in conjunction with the Muskegon Community College Winter Carnival during the late 1970s. “I was one of the first national champions,” says Paul Graves, who took up Snurfing as a 12-year-old while living in New Jersey in 1966. “But I like to put that in perspective. There was no true ‘national’ aspect to the sport then. It was a bunch of mostly guys, drinking a bunch of beer, getting high, hiking out in the woods, and running this course. But it was a ball.”

The first national snowboarding contest was held in April 1981 at Ski Cooper, in Leadville, Colorado. Organized by Richard Christiansen—a landlocked surf bum who ran a surf shop in Boulder and was interested in the burgeoning snowboarding scene—the King of the Mountain contest attracted a couple dozen competitors, including Burton, Sims and Jack Smith. The contest had three categories: Slalom, Freestyle (tricks and a jump) and Downhill. Scott Jacobson won the overall, with second and third place going to Sims (who took first in the slalom) and Burton respectively. Though Christiansen ran three more annual competitions at Colorado’s Berthoud Pass, the King of the Mountain event ceased operations before the sport’s real growth years. 

In February 1982, Graves, who was now running the Snowboard East shop in Woodstock, Vermont, organized the first National Snowsurfing Championship at Suicide Six. 125 riders showed up, including Burton and Sims, and the contest was covered by Sports Illustrated, the Today Show, and Good Morning America as Sims captured first place in the downhill and Burton rider Doug Bouton took the slalom and the overall. After the first year, Graves asked Burton to take over the event and for the next two years he hosted it at Vermont’s now-defunct Snow Valley ski resort. (Tom Sims won the slalom, downhill and the overall at the first Snow Valley event.) In 1985, Burton moved the contest to Stratton, where it was rechristened the U.S. Open Snowboarding Championship. Sims again won the slalom. Today, the U.S. Open attracts more than 30,000 spectators and is considered snowboarding’s most prestigious event. 

Not content to be a participant, Sims hosted the first World Snowboard Championships in 1983 at California’s Soda Springs Ski Bowl, where he introduced the halfpipe to competitive snowboarding. The skateboard-influenced event would usher in snowboarding’s freestyle movement and change the face of the sport, but controversy ensued when Burton’s team threatened a boycott. The halfpipe was a West Coast phenomenon at the time, and the last-minute inclusion of the event, which Burton riders had not practiced, put Burton’s team at a distinct disadvantage. The halfpipe event happened, and five years later the halfpipe became a staple at Burton’s U.S. Open. Who won the Worlds? Sims took first place in the slalom and the overall. The World Championships relocated to Breckenridge in 1986, and while it had a certain degree of cachet, particularly during the late 1980s, the event lost much of its luster during the 1990s as the Sims brand name kept changing hands.

Unique among snowboard contests is the Legendary Mount Baker Banked Slalom, first held on Super Bowl Sunday in 1985. Hosted by Bob Barci, with help from Tom Sims, the race took place on “The Chute,” which has gullies that resemble halfpipes. The course gates were placed on the chute’s walls, creating considerable challenge. The atmosphere was laidback, contestants vied for pride and a small cash prize, and Tom Sims won. The Mount Baker Banked Slalom’s atmosphere, combined with its difficult course and infamous duct-tape trophy, has made it a favorite among riders. It’s also served as something of a proving ground, as many of the winners have been some of the sport’s biggest names, including Shaun Palmer, Craig Kelly, Rob Morrow, Ross Rebagliati, Terje Haakonsen and Victoria Jealouse. 

“The actual events themselves seemed to stimulate innovations,” says Sims. “The contest results were a big deal in the early days and, especially from the Burton and Sims perspectives, having superior equipment was important so we could dominate at the contests.” 

The contests also created the sport’s first superstars. Tom Sims dominated the early contests and stunt-doubled as James Bond in A View To A Kill’s opening snowboarding scene. Terry Kidwell became the “Father of Freestyle” in the early 1980s by introducing a series of tricks, including hand plants, 360s and method airs. Damian Sanders and Shaun Palmer were the wild children, looking like members of hair and punk bands respectively. They were charismatic, partied like rock stars, won contests, and quickly became heroes to the sport’s core young male demographic. Women riders really didn’t make a big impact during the mid-1980s, but Shannon Dunn and Tina Basich earned mainstream attention in the 1990s, while Michelle Taggart quietly became the most decorated female rider of the decade and British Columbia native and former ski racer Victoria Jealouse earned legendary status for her big-mountain riding in snowboarding films.

Snowboarding’s most revered rider was Craig Kelly. The somewhat reclusive Washington native was one of snowboarding’s best in the late 1980s, racked up several titles, and walked away from competitions in the early 1990s to focus on big-mountain backcountry riding, where his movie appearances made him a freeriding god. Sadly, Kelly died in an avalanche on January 20, 2003 while guiding on Tumbledown Mountain in British Columbia. Snowboarding had lost its first hero. 

Banned from the resorts

When Winterstick, Burton and Sims started their companies, snowboarding was generally relegated to the backcountry. Some resorts allowed it on a case-by-case basis, but often boarders had to hike to ride in secret areas. The first halfpipe, in fact, was not discovered at a resort, but behind the Tahoe City dump in 1979 when Mark Anolik was looking for a place to snowboard. 

Yet, snowboarding couldn’t grow without resort acceptance, and in the early years that acceptance proved difficult. Many ski areas claimed that snowboarding wasn’t covered under their insurance policy, though it’s been suggested that such assertions had no merit. Nonetheless, the famous Stratton mountain case, in which skier James Sunday was awarded $1.5 million in 1977 as a result of a skiing accident that left him paralyzed from the waist down, scared a number of resorts into banning everything but skis. Additionally, many resorts saw little reason to accept a few snowboarders.

Smaller resorts were often the first to allow snowboarding, in part because they needed the business. Larger resorts were a more difficult sell as they didn’t want to annoy their skiing constituency. Snowboarders ride the mountain differently and that irritated skiers. Additionally, snowboarding appealed to teenagers who acted like, well, teenagers. They ducked lift lines, made counterfeit lift tickets, went out of bounds (the early boards didn’t work well on hardpack), and got drunk and high in the woods. In other words, they were just like the ski bums of decades past. But snowboards marked them as skier enemies. 

Regardless, money talked. According to the National Ski Areas Association, between the 1978–79 and 1984–85 seasons, industry-wide skier visit totals grew by only 2.3 percent. With skier visits relatively flat, and snowboarding growing slowly but consistently, the writing was on the halfpipe wall. Despite being dubbed the “Worst New Sport” of 1987 by Parade magazine, resorts accepted snowboarding’s overtures, thanks in part to the diplomacy of Burton’s Paul Alden and Avalanche’s Bev Sanders. According to the United States Ski Industry Association, approximately 40 resorts allowed snowboarding during the 1984–1985 season. By 1990, that number had increased to 476.

Burton booms while other firms founder

During the 1980s, several snowboarding companies started to run into financial problems. Winterstick closed in 1982, re-launched in 1985 and closed again in 1987, just before snowboarding started to experience exponential growth. The Winterstick trademark, abandoned by Milovich in 1983, was subsequently resurrected by another company with no involvement from Milovich.

Most of the other early movers didn’t fare much better. A-Team and Flite perished. Avalanche was sold and is a niche brand. Barfoot closed up the snowboarding side of his business, though he’s now producing a small run of handmade snowboards available via mail order. In 1986, Sims began licensing out his snowboard business, but the deals (all four of them) proved problematic and hurt his ability to deliver product and react to market changes. Today, he licenses his name to Collective Licensing, which distributes Sims snowboards and skateboards to Sports Authority. Burton aside, Olson’s GNU is the most successful of the early entrants, though GNU and sister brand Lib Tech were acquired by action sports company Quicksilver in 1997.   

While several manufacturers were plagued with problems, Burton was not. The consummate businessman, Burton skillfully navigated the snowboarding business terrain. When Rossignol’s Vermont division had financial problems, he hired several of their top people and built a solid management team. Burton wasn’t high on team competitions, but when he realized competition was an important part of snowboarding, he embraced it. Freestyle and halfpipe riding didn’t interest him, but when he saw that was where the sport was headed, he signed freestyle champion Craig Kelly away from Sims. He also poached Shannon Dunn from Sims and pillaged the Barfoot team for top riders. 

Burton penetrated the European market in the mid-1980s and struck a deal with an Austrian manufacturer, which allowed him to produce boards more cheaply. He obtained financing through capital investment from his wife’s family and some private bank loans, which provided him the liquidity necessary to produce enough product for the burgeoning late-1980s market. Meanwhile, his competitors were back-
ordered. No snowboard manufacturer had Burton’s combination of business prowess and capital, and the ski companies weren’t interested. “I almost literally lost sleep over the fact that somebody like Rossignol was going to start making snowboards and that was going to be the end of me,” says Burton. “But it’s incredible that they all gave me a ten-year head start. I had ten years of business before any of those guys got involved, which gave me and gave Burton an opportunity to establish an industry and a company and get fairly well capitalized and organized.” Why didn’t the ski industry jump on the bandwagon? Lack of foresight, says Chuck Barfoot. “Basically, the ski companies were laughing at us,” he told the Santa Barbara Independent newspaper in 2008. “Little did they know what snowboarding would become.”

Snowboarding goes gold in the 1990s 

With the vast majority of resorts now accepting snowboarding, the sport experienced rapid growth during the 1990s. According to the National Sporting Goods Association, the number of riders rose from 1.5 million to 4.3 million between 1990 and 2000, while the number of skiers dropped by 4 million. Snowboarding was often tagged as the fastest-growing sport in the U.S., Jake Burton appeared in an American Express commercial, and ESPN brought more attention to the sport with Snowboarder TV and later the Winter X Games. The sport’s image also became even more rebellious and a bit darker as teenage participants embraced the grunge scene. Since 1990, the 12- to 24-year-old age group has accounted for 75 to 80 percent of the sport’s market, and snowboarding’s image has consistently reflected this group. 

The industry’s growth resulted in Burton’s nightmare materializing as Rossignol, Salomon, Volant, Atomic and K2 all started snowboard production during the late 1980s and early 1990s. But most of the ski companies, with the exception of K2, were too late to the dance. Their brands lacked authenticity and couldn’t damage Burton’s position. They did, however, have enough capital to take significant market share away from the smaller companies and further entrenched Burton as the market leader. 

Meanwhile, the International Olympic Committee took notice of the sport’s popularity and youth appeal. The IOC wanted snowboarding at the 1998 Winter Olympics, but there was a problem. The international governing body for snowboarding competitions was the International Snowboarding Federation (ISF), which had risen from the ashes of the National Association of Professional Snowboarders in the early 1990s. When the IOC decided it wanted snowboarding, the International Ski Federation (FIS) resisted, as snowboarding was considered a threat to skiing. To appease the FIS, the IOC gave it administrative power over Olympic snowboarding and the ISF was left outside.  The move infuriated the snowboarding community. After being treated like an unwanted child by the ski industry for nearly two decades, competitive snowboarders now had to deal with the FIS if they wanted to compete in the Winter Olympics. Jake Burton, by now the most influential person in the business, said he was never even contacted about the 1998 Winter Olympics and years later, Shannon Dunn would reveal that the U.S. Olympic team coaches didn’t really snowboard. 

When snowboarding debuted at the Winter Olympics in Nagano, the riders appeared to have the last laugh. Norway’s Terje Haakonsen, regarded as the best snowboarder on the planet, refused to participate. Dunn and Cara Beth-Burnside refused to wear their U.S. Olympic uniforms at a breakfast in the Olympic village. Canadian Ross Regabliati won snowboarding’s first Olympic gold medal in the giant slalom, only to have it stripped because a drug test revealed marijuana in his system. The decision was overturned (marijuana is not considered a performance-enhancing drug), but the incident reinforced the perception of snowboarders as cultural outcasts. 

The 2002 Winter Olympics, however, demonstrated why the IOC coveted the sport. Crowds swelled to 30,000 in Park City with nearly a third of all U.S. households watching at least one snowboarding event. U.S. medalists made the late-night talk-show circuit and Jake Burton gave the Today Show’s Katie Couric a snowboarding lesson on TV. The success of the U.S. team further popularized the sport in the U.S. and participation levels soon rivaled alpine skiing. Four years after Park City’s success, in the ultimate case of irony, skier Bode Miller was the Olympic bad boy who partied too hard and came up empty-handed while snowboarder Shaun White dazzled audiences as he captured halfpipe gold, became the hero of the Games, and made the cover of the Rolling Stone.  γ

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The author would like to thank Scott Starr for providing confirmation of some historical dates, John Allen, John Fry, and Marlies Fry for their helping to uncover information about the knappenross, and especially Colin Whyte for his comments and suggestions on this article.

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For a dozen years, Denver billionaire and Hollywood heavyweight Marvin Davis owned the Aspen Skiing Company, to the dismay of many locals.

By Jay Cowan

Some said that no one in Aspen had entertained like that since the silver baron days. Others said it depended on what you found entertaining. Either way, when Twentieth Century Fox owner Marvin Davis threw big annual New Year’s parties at his Little Nell Hotel in the late 1980s, “It was just over, over, over the top, with stars and important people and lavish entertaining,” recalls longtime Aspen socialite and owner of The Residence hotel, Terry Butler. “He loved what money could buy. The centerpieces on every table were three feet high, the décor was jewels and flowers and flash.” 

It was impressive for the time, in an old school kind of way. Glamorous guests included Sean Connery, Sly Stallone and Barbra Streisand, mingling with Oprah Winfrey, Steve Ross and Lee Iacocca, being served champagne, caviar and flambés in the increasingly Stoli, sushi and cocaine world of Aspen. Locals had grown accustomed to extravagant lifestyles and partying on a level that made Davis seem almost anachronistic by the time he arrived. The community was less concerned about his social life than by his business tactics, and had reacted with nearly unanimous horror when he bought Fox and the ASC in 1981.

Formed in 1946 by Chicago businessman Walter Paepcke and Austrian ski star Friedl Pfeifer, the Aspen Skiing Corporation opened business on Aspen Mountain on December 14 of that year with what was called the world’s longest chairlift, stretching 6,800 feet. But it struggled to make money for years and only finally succeeded after native Aspenite D.R.C. “Darcy” Brown, an original investor in the corporation, took over as president and general manager in 1957. 

Twenty years later, business was golden and when Brown received an offer to sell in December 1977, he recommended it to his board. Twentieth Century Fox would buy all the shares at a hefty price, offering the first-ever return on investment to shareholders. Fox, cash-heavy from its first Star Wars film, was diversifying as it made other real estate buys that included Pebble Beach Resort, and Brown felt they would be a good fit for the ASC. The man who replaced longtime Aspenite Tom Richardson as CEO, Harry Holmes, lived in and also ran Pebble Beach, but left the ASC board of directors intact and poured money back into its operations.

Enter Marvin Davis, a Denver-based, billionaire wildcatter who was the basis for his friend Aaron Spelling’s hit TV show Dynasty. Davis sold his oil business for $600 million, morphed into a corporate raider and with a partner, oil-trader and financier Marc Rich, bought Fox for $720 million in 1981. Word immediately circulated around Aspen that Davis would be selling and spinning off Fox assets such as the ASC, Pebble Beach and others. The ASC brass was told it wasn’t true, but it was.

Darcy Brown later said in an interview that, “My only real regret is selling to Twentieth Century, not knowing that Twentieth Century was going to be taken over by Marvin Davis.” He accused Davis of “milking the company” by selling assets and pocketing the profits instead of returning them into the company. 

For his part, Brown hadn’t been universally beloved. He could seem patrician and distant and didn’t always care what locals thought. Most assumed it was because he didn’t have to, as he guided the ASC into unpopular ticket price hikes and support for local projects (such as expanding the airport) that weren’t well received. With all of that, however, he was “one of us” to many in the community, which Davis definitely was not. The curmudgeonly Brown began to seem not so bad compared to the new ruling order, a consequence he probably enjoyed. 

Davis once said of the entertainment industry, “I love this stuff, the people and the glamour. This isn’t just a business. It’s a helluva lot of fun.” He didn’t feel the same about other Fox assets and quickly began unloading them, including the ASC purchases of Breckenridge ski area, a substantial interest in Whistler Blackcomb, and several Aspen lodges ASC owned for employee housing. Davis ignored any long-term strategy in favor of a quick return on his Fox acquisition.

In 1983, Davis’s Fox partner Marc Rich was indicted by the U.S. Justice Department on 65 criminal counts for violating the Iranian oil embargo during the 1980 hostage crisis. Rich, whose ex-wife Denise still owns a home in Aspen, fled to Switzerland to avoid extradition. Davis bought out Rich’s interest for $116 million and flipped it for $250 million to Rupert Murdoch in 1984.

Aspen meanwhile was deep in an ongoing bout of existential angst centered on how much of its soul it was willing to sell to further its success. For many it seemed as if suddenly an entire way of life, not just the SkiCo, had been auctioned off with no local input and was at the mercy of all those forces they had spent years fighting. Davis’s ethics were much more in tune with making money than making a community. Marc Rich was apparently a major-league criminal. And Murdoch was infamous for his string of sensational tabloid newspapers in Australia, New Zealand and the UK.

Davis spun off the ASC to a subsidiary of Aetna Life and Casualty in 1983, and then to a limited partnership of his called Miller, Klutznick, Davis and Gray, as a string of disgruntled local executives quit along the way, citing the ongoing changes of ownership. The ASC had begun to seem like just another commodity, destined to be constantly traded like so many pork bellies. Then it was taken private for the first time since 1946 and rechristened the Aspen Skiing Company. The Davis partnership kept a 51% interest and sold the rest to the Lester Crown family in 1985. But they continued to hemorrhage managers with Jerry Blann—who had taken over as CEO from Harry Holmes—quitting at the end of 1987, feeling betrayed by ownership over a ticket-pricing controversy.

In a later Vanity Fair story, Marvin Davis recalled, “It took us about six months to figure out what we wanted to do,” with the ASC when he bought Fox. “We decided to build a beautiful hotel, the Little Nell. Then some French firm came to me with the idea of having gondolas so a guy didn’t have to freeze his ass off going up the hill. We wanted to make it one of the best places in America and I think we did.” The Silver Queen gondola debuted in December 1986, transforming the ski experience on Aspen Mountain, while the luxury Little Nell Hotel broke ground that year and opened in 1989.

Putting aside the hubris of Davis claiming to have made the already top-ranked Aspen “one of the best places in America,” some important upgrades were accomplished during his tenure. Current SkiCo president and CEO Mike Kaplan, who wasn’t with ASC during the Davis years, says, “I think they were responsible for focusing the company in Aspen and selling off assets outside of the Roaring Fork Valley, building the Nell and the gondola, and ushering in the era of high-speed quads.”

Perhaps the most telling aspect of the Marvin Davis years in Aspen is that, though people remember the lavish New Year’s parties and all the wheeling and dealing he did with the ASC, there are no stories about him personally. At 6’4” and 300 pounds, he was a large man and sometimes caricatured as the typical American fat cat. So he didn’t go unnoticed in Aspen as much as he simply wasn’t often there, preferring to spend time at the family’s home in Los Angeles. And when he was in Aspen, he didn’t hang out or party with the locals. His relationship with the community was purely professional.

Davis’s other inescapable impact was to dial up Aspen’s visibility as “Hollywood in the Rockies.” It would have seemed almost impossible to do in a town that had been awash with stars since the early 1950s. But the Davis influence, like Davis himself, was big. He and his wife Barbara were generous philanthropists who hosted extravagant charity events, and Fox as well as Warner Brothers owned large houses in Aspen for entertaining their talent. A-list stars including Kevin Costner, Arnold Schwarzenegger, Melanie Griffith, Sally Field and Don Johnson soon arrived along with power players the likes of Michael Eisner and Michael Ovitz. 

“The news spread fast in Hollywood that Marvin Davis’s Aspen was the place to play,” the Vanity Fair story breathlessly reported. “You name ’em, they were there,” said Davis.

“Davis definitely encouraged more of Hollywood to come here,” says Terry Butler. “And after the gondola was built, they started bringing planeloads of stars in. They could wear their pretty clothes and go to the top of the mountain and didn’t even have to know how to ski that well, since they could ski the top, which was easier terrain, and download on the gondola. The mountain changed and the town changed.”

In 1993, the Crown family of Chicago bought out Davis, assuming 100% ownership of the ASC. They retained Bob Maynard, who had replaced Blann in 1988; Maynard had run Keystone and Robert Redford's Sundance. Since then, there has been none of the executive turmoil that marked the Davis reign—only two CEOs have held the post, each for at least a decade, since Maynard retired in 1996. The Crowns' long-term commitment to the company and genuine involvement in the local community have been widely acclaimed as the best thing that could have happened to Aspen. The Davis era was a wild ride no one wanted to repeat and ultimately, many felt his greatest contribution to town was selling the ASC to the Crowns.  

When Hollywood Owned Aspen
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The rise and fall of the top alpine ski racing nations is visible in this unique new chart, created by former French coach and resort analyst Alain Lazard, longtime northern California resident and ISHA member. Lazard has mined masses of data since World War II. The colored trend lines in the chart have been smoothed by using five-year moving averages. For the period 1948–1966, before the creation of the World Cup, Lazard used results of the Winter Olympics and the FIS World Alpine Ski Championships. After 1967, the charted lines are based on Nations Cup points—the number of World Cup points aggregated by individual racers of a national team. The World Cup point formula has been revised five times since 1967, so Lazard has used percentages rather than total points to chart the lines. 

Only three countries have won the overall Nations Cup: Austria (37 times), Switzerland (7) and France (5). The early years were dominated by the French, as reflected in their Nations Cup wins in five of the first six seasons. The Austrian team took over beginning in 1973, followed by Swiss superiority during most of the 1980s. A resurgent Austria charged back to the top in 1988; it has never lost since, in a long streak of 28 consecutive Nations Cup triumphs. Austria’s team dominance of alpine ski racing reached its zenith in the late 1990s and 2000s, when its Nations Cup point total was regularly double that of the second place finisher.

The U.S. ski team’s best Nations Cup performances occurred in the winters of 2005 and 2006 when it placed second, and 1982–84 when it placed third three seasons in a row. Its best performance season, arguably, was 1982 when the U.S. won the women’s Nations Cup.

The highest relative score was registered in 1967, the first year of the World Cup, when France accounted for 44.8 percent of the points awarded. Jean-Claude Killy’s dominance was reflected in his capturing 16.2 percent of the points scored by all men from all nations. The next best was in 1974 by Annemarie Moser-Proell with 14.7 percent of women’s points, and Nancy Greene with 12.4 percent in 1967. In 1977, Ingemar Stenmark captured 10.8 percent of all total men’s points during the season.

The idea for the Nations Cup of Alpine Skiing was conceived by ISHA chairman John Fry in 1966.

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Above: Adam and Irwin Shaw in 1953, walking into the village of Klosters.

Irwin Shaw (1913–1984) was an American writer. He’s best known for his novels The Young Lions, whose film version starred Montgomery Clift and Marlon Brando; Rich Man, Poor Man, adapted into the first-ever television mini-series; and short stories such as The Eighty Yard Run, Act of Faith, and Girls in Their Summer Dresses. His seminal anti-war play Bury the Dead, originally staged in 1933, is still produced around the world today. 

Born and raised in Brooklyn, Shaw saw action in North Africa, France and Germany during World War II. He moved to Europe in the early 1950s with his wife Marian and young son Adam, living first in Paris before discovering the Swiss village of Klosters, which he made his permanent home. In this article, Adam remembers the days when the sport was simpler and the Alps were studded with stars who didn't take themselves seriously.

By Adam Shaw

All photos courtesy Adam Shaw / www.irwinshaw.org

In the angry days through which the world was passing, there was a ray of hope in this good-natured polyglot chorus of people who were not threatening each other, who smiled at strangers, who had collected in these shining white hills merely to enjoy the innocent pleasures of sun and snow…The feeling of generalized cordiality…was intensified by the fact that most of the people on the lifts and on the runs seemed more or less familiar…Skiers formed a loose international club and the same faces kept turning up year after year. —Irwin Shaw, “The Inhabitants of Venus

My father wrote this in 1962. A week later, in the middle of the Drostobel—one of the seriously steep runs that rise above Klosters—he whacked me across the back of the legs with a ski pole. 

He was 49 and in his prime, I was 12. He’d never hit me in anger before, and he never would again. I’d cut to a stop above him on a patch of ice, and clipped his skis. He’d grabbed a piste marker, but I’d slid a quarter of a mile down to the Drostobel’s tree line. 

He bulled his way down the run to me. “You coulda killed us!”

I stared at the tips of my Kneissls, a gift from a rotund Frenchman who designed cars, some of them famous.

“Showing off,” Irwin shouted. “That’s what happens when you show off!”

Before Prince Charles and other “royals”—not to mention Hollywood stars like Greta Garbo, Gene Kelly, and Lauren Bacall—brought a certain kind of newfangled fame to Klosters, it was just another village with a few ski lifts…nothing fancy like St. Moritz, Gstaad, Cortina or St. Anton. And for me, it was just home—the place where I grew up. 

Irwin at the top of the Gotschnagrat above Klosters with fashion model Bobby Charmoz.

When my father and mother bought a half-acre of hay field from Mr. Brosi in 1955 and built a house there, cows outnumbered people. Chalet Mia (named for the three of us, Marian, Irwin and Adam) had pink shutters—the locals thought this was nuts—and one side of the roof was longer than the other, in the Basque style. It would be the only house they’d build in their lives. We all learned to ski on wooden Attenhofers, with screw-on edges and bear-trap bindings. Then Walter Haensli, a neighbor and ex-ski racer who married an American heiress, got the right to import Head skis. My parents each got a pair, and I borrowed my mother's—black with white lettering—to win my first race at age seven. 

The old man had spent a few unmemorable days in Sun Valley right after the war. But now, patient souls by the name of Hitz and Clavadetscher got him back on track: “Ya, Herr Shaw…mitt de knees you must go DOWN und den UP, und den down mitt de knees…Und de shoulders, de shoulders must be looking down de mountain…down.

In those days, skiing was as much a voyage as a sport, and that appealed to the old man.

Imagine growing up dirt poor in Brooklyn before the Great Depression. Imagine landing in Normandy in 1944, and liberating the Dachau concentration camp. Then imagine standing on top of the Gotschna on skis, and with a newly built chalet visible down in the valley. 

Imagine standing there with Peter Viertel, your old buddy from California, and Jacques Charmoz and Moshe Pearlman. Peter saw combat with the U.S. Marines in the South Pacific and later ran agents into Germany for the OSS; after the war, he was a screenwriter and novelist. Jacques raced for France in the 1936 Winter Olympics; during the war, he was a pilot in the Free French Air Force and, later, flew the last French general out of Dien Bien Phu. A British major who risked being shot for treason for helping Israel get guns, Moshe later served as David Ben Gurion’s first spokesman and wrote a book on archeology called Digging Up The Bible. Imagine their disbelief, their sheer sense of luck, and of joy, at simply being on top of a Swiss Alp, alive after the war and with all body parts intact.

Left to right: Actor Noel Howard, an unidentified friend, Marian and Irwin Shaw, Jacques Charmoz and Jacqueline Tesseron on the slopes of Parsenn.

Over three decades, the group at the top of the Gotschna, or at our dinner table, included Swissair pilots,  Kiwi sailors, regal Spaniards, French ex-Prime Ministers, ambassadors sitting out diplomatic storms and barons of industry, who, before the term was coined, showed off their trophy wives. I remember well the Greek shipping magnate whose most beautiful daughter was destined to tragedy, and various spies whose covers as bankers or businessmen fooled no one. There were, of course, actors with Oscars, agents with chutzpah, writers who could ski and writers who could write—like James Salter, who could do both in a class quite his own (Downhill Racer, The Hunters, Solo Faces, A Sport and a Pastime). And, at one time or another, almost everyone met Dr. Egger, a truly fine and old-fashioned doctor who, faced with broken bones, first would whip out his stethoscope and say: “Ya, now you inspire, and now you expire…” 

 

On some winter afternoons, on the mild slopes of Alpenrösli or Selfranga, you might find a Harvard professor whose Nobel Prize did nothing for his balance, or various “belles,” including one particularly well-known for her Mafia ties. You’d recognize many of them, like Virginia Hill, the ex-girlfriend of mobster Bugsy Siegel, but I think name-dropping is like blowing your nose with stolen money, so you’ll just have to take my word as to the others.

Adam Shaw at the top of the Gotschna above Klosters last winter. He now lives in the French Alps

For Irwin, no matter how glorious the weather, how deep the fresh snow, mornings were meant for the typewriter. Skiing en famille began at noon, in front of a wood chest in the front hall, with a grab to retrieve mittens, goggles and wax. We’d then latch our skis to a rack on the back of a VW Beetle and grind up the hill past the old Hotel Pardenn, turn left at Nett’s grocery store, turn right onto the Bahnhofstrasse, past Mr. Meilhem’s bank and APorta’s bakery, left again at the Chesa, and right at the old Apotheke to park at the Luftseilbahn. 

Depending on who was around at the top, and their skiing ability, the decision was taken to traverse over to the Furka and ski down to Küblis, or, if the visibility wasn’t good, to make the shorter run down Kalbersass through the pines, to the Schwendi. With the callowness (and legs) of youth, I called that "social skiing," pleading for the Drostobel or the Wang.

The Gotschna and the Parsenn, and later the Madrisa, were our local playgrounds. Skis were long, and runs were not flattened into antiseptic boulevards by snowcats. To enjoy the virgin faces on the north side of the Weissfluhgipfel, down towards Fondei, or the steep chutes and glades down the backside of the Bramabuel in Davos, you had to know how to turn ‘em both ways. In those days Klosters was to St. Moritz and Gstaad, what Montauk was to Southampton.

For the old man, skiing was also a reward for pages batted out on his green Olivetti portable. Unlike handball, which he had played in Brooklyn and at which he was awfully good, skiing gave him time and space to work up a sweat without points or scores. Everyone was a winner on the mountain.

Irwin (far right) and Marian Shaw (far left) in Klosters in the 1960s with the writer Peter Viertel (black hat) and film director Bob Parrish (red and blue parka). Everyone in the group was on Head skis that day.

If one of the chums at the top of the cable car—often Robert Ricci of haute couture renown or Freddy Chandon (you’ve surely drunk his champagne….)—had a ski teacher in tow, they’d choose the runs. If not, the best skier took the lead. 

I still remember the bite of good edges on spring snow on March mornings in the late Sixties, between the Meierhoff shoulder and Totalp, with the grip then mushing into a spray of slush at the front side of a shoulder. This was before the freak avalanche passed under our feet and took out the train and the road leading to Jakob Kessler’s terrace at Wolfgang.

It was an innocent era. No one except downhill racers wore helmets, the Casa Antica opened with 45s lent by Marisa and Berry Berenson, Angelica Huston wasn’t a star yet, John Negroponte was years away from telling tall tales at the United Nations, and Joël De Rosnay didn’t know he’d be a world-famous scientist.  The big lip (Minsch-Kante) below the Hundschopf on the Wengen downhill wasn't yet named for Klosters' station-master son, Josef Minsch, because he hadn't crashed there yet. But Salka Viertel already made the best chocolate cake in the world, even if Deborah Kerr or Orson Welles were not coming to tea that afternoon.

In the Seventies, the group had a few more birthdays in the legs and knees, and the choice of runs reflected this. One day, on the way to Serneus, Annie, Geza Korvin’s wife—he’d played the Captain in the 1965 movie Ship of Fools—fell into a small ditch, followed in close order by Peter O’Toole’s British brother-in law. The tall Englishman lay there, flopped down on top of her, quite unable to move. After a while the lady firmly said: “Derek, either f*** me, or get off of me!”

In the summer there was tennis on the red clay courts opposite the Silvretta Hotel, and picnics up near the Vereina glacier. Summer was the season for Garbo’s walks along the Landquart torrent with a straw hat over her ears and an incongruous “frowner” on her nose. One day, at lunch, she girlishly insisted on calling one of America’s most brilliant, and controversial, writers “Vigoredal” as though she didn’t know who he was. Gore loved it.

My father had a hip replacement operation in 1979, and we skied one last time the next winter. Savvy old athlete that he was, he knew when the legs couldn’t be trusted, so he quit. But until then, though he loved powder, he skied his best in the spring, on corn snow, with a whole hill for space and no goggles to fog up. On such Klosters mornings the world was just wind in his face and sun on his back; talent felt inexhaustible, good reviews seemed guaranteed, and wives were deemed faithful and friends true. 

Adam Shaw is a freelance writer, ex-reporter for UPI and the Washington Post, and author of Sound of Impact: The Legcy of TWA# 514. He lives in the French Alps and works as a flight instructor and mountain and airshow pilot.

To learn more about Irwin Shaw, visit www.irwinshaw.org. You can see photos of Shaw’s skiing life in Switzerland on the “Klosters” page, and on the “Memories” page, you can read an excellent profile on Adam and Irwin Shaw, titled “Rich Man, Poor Man, Beggarman, Skier” (Skiing, October 1977). One of Shaw’s best short stories, The Inhabitants of Venus, can be found in The Ski Book (Bookthrift, 1985).

Adam and Irwin Shaw
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After a stunning comeback this past winter, Lindsey Vonn surpassed Austrian racer Annemarie Moser-Proell’s record number of alpine World Cup wins. Who’s the greatest? The new record ignites a debate that won’t be resolved anytime soon.

Lindsey Vonn on the downhill course at Cortina d'Ampezzo on January 18, 2015. She won the event, tying Annemarie Moser-Proell's record. The next day, Vonn won the Super G. Photo By Agence Zoom / Christophe Pallot.

 

By Edith Thys Morgan

When Lindsey Vonn crossed the Super G finish line in Cortina for her 63rd World Cup win on January 19, she knocked Annemarie Moser-Proell off the top step of the podium for total World Cup wins. At press time in early March, she had racked up two more first-place finishes for 65 and counting.

But these landmark victories did nothing to answer this question:  Who’s the greatest all-time skier in the history of women’s World Cup racing? For those who measure such things, Vonn’s record-setting win only fanned the flame of a discussion that won’t be resolved anytime soon.

 

Proell charges toward DH gold at the 1980 Winter Olympics. Photo Courtesy of International Olympic Committee

A dominant champion and colorful character on the women’s tour from 1970 to 1980, Moser-Proell clinched five World Championship titles as well as the 1980 Olympic downhill gold at Lake Placid. During her best years, she scored victories in all disciplines during the same winter — and from 1972 to 1974 notched eleven consecutive downhill victories. She retired in March 1980, with 62 wins, after 11 seasons on the World Cup tour.

 

Those who favor Moser-Proell, despite Vonn’s record-breaking feat, point to three factors that garner her the top spot: winning percentage, overall titles and the Super G. Vonn competed in 332 races to claim her record, while Moser Proell took a mere 174, a winning percentage of 19 and 35 percent, respectively.  As for overall titles, Vonn is two behind Moser-Proell’s tally of six — but she came crushingly close to matching Moser-Proell’s five consecutive titles (1971–75) in 2011, when she lost what would have been her fourth consecutive title by a mere three points to her closest friend and rival, Maria Hoefl Riesch. Vonn won her fourth overall title the following year.

INTERNATIONAL DEBUT 

Probably the biggest single point of contention is the Super G factor. Both Vonn and Moser-Proell won in all events available to them at the time. Both excelled at speed events, but Moser-Proell’s dominance included GS. The addition of Super G to the World Cup schedule in 1982–83 offered many more events that favored speed skiers, and indeed, 22 of Vonn’s victories were in Super G. As Cindy Nelson points out, there is no question that Moser Proell would have excelled at the event: “She had Tamara (McKinney) feel with Lindsey size, and was best on rolling terrain when she could accelerate. She would have been incredible at Super G.” 

During the shorter span of her career, Moser-Proell was the singular dominant force in women’s skiing. Vonn’s success over eleven years (2004–2015), which included intermittent streaks of dominance in the speed events, is more aptly defined by her dogged persistence, comebacks and longevity, all of which continue to impress. Both transcended the ski world to become legends in their own countries. For Moser-Proell in ski-crazy Austria, that meant elevating herself above the male ski heroes of the day—working, playing and winning at their level and beyond. For Vonn, it meant breaking into the mainstream consciousness in a country that knows and cares little about alpine skiing. It meant capturing and then enduring the white-hot glare of media attention during the most emotionally vulnerable part of her career, and ultimately winning the respect of skeptics and detractors. 

Each in her own day set a new standard among her peers. At the very least, before making any proclamations one needs to look at their paths and understand their respective eras. Here is a closer look at how Vonn and Moser-Proell each achieved 60-plus wins. 

 

FIRST TURNS

Lindsey Caroline Kildow, born in 1984, learned to ski at age two and was soon thereafter training nightly at Buck Hill in Minnesota under the tutelage of her highly competitive father, Alan, and renowned ski coach Erich Sailer. She moved with her mother to a condo in Vail at age 11, and ultimately the entire family, including four siblings, followed so that she could devote herself to ski training. Right away, coaches at Vail were impressed by her technical mastery and introduced her to speed events, in which she rapidly excelled. By age 11 she was skiing year-round, and by 12 was sponsored by Rossignol, the same ski brand used by her early role model Picabo Street.

Annemarie Proell, born in 1953 as the sixth of eight children, lived in her parents’ farmhouse several hundred meters above the tiny village of Kleinarl, Austria. She started skiing at age four on homemade skis and was the first of her family to ski race. (Her sister Evi had a brief World Cup career.) Her parents, despite being Austrian, had “Keine Ahnung” (“no clue”) about ski racing and could provide neither ski clothes nor good equipment. The local priest recommended her to the regional ski association. After winning her first local championship at age 13, she wrote a letter to a ski company asking for equipment and was denied.

 

At age 14, Vonn and teammate Will McDonald became the first Americans to win the Tropheo Topolino youth competition in Italy. At age 15, Vonn started traveling with the U.S. Ski Team and was by then doing her studies on the road through the University of Missouri Online. She raced her first World Cup in 2000 at age 17. Her first podium came at Cortina in 2004, in her 46th World Cup race. Her first win came on December 3, 2004 at age 20. By that age, Moser-Proell had 27 wins and three overall World Cup titles under her belt. 

Moser-Proell made her World Cup debut in 1968 at age 14 (then the minimum age to race FIS), falling three times and finishing last at Badgastein. She joined the Austrian Ski Team the following season under the direction of coaching legend Charly Kahr. Her first podium came that January, at age 15 in Saint Gervais, with a second place in downhill. She won her first race, a GS at Maribor, the following season, at age 16, and also captured bronze in giant slalom at the 1970 FIS World Alpine Championships at Val Gardena. At age 17 she won her first downhill World Cup race, and clinched the first of six overall titles in Are, Sweden. Her seven victories that season included all three disciplines on the World Cup at that time—downhill, slalom and (one-run) giant slalom.

 

HARD KNOCKS

Beyond her skills and competitive drive, coaches remember Vonn’s frequent hard crashes, big high-speed yard sales from which she typically walked away. Her first time in the spotlight was her body-wrenching crash in training at Sansicario during the 2006 Torino Olympics. Despite hospitalization she returned to race, finishing 8th. 

The longevity of her career is thanks in part to enhanced safety in ski racing venues. The frozen hay bales and picket fences that lined World Cup courses in the 1970s have been replaced with the highly effective A and B netting that line today’s venues. Moser-Proell steered clear of the hay bales by being a canny competitor, keeping her own line secret during inspection, and even skiing off course during a training run to observe and find the perfect line. 

 

Vonn pops a champagne cork after she won her record- breaking 63rd World Cup race in Cortina in January 2015. Agence Zoom / Christophe Pallot

WELL-ROUNDED

Both Vonn and Moser-Proell won in all disciplines available to them — four for Moser-Proell and five for Vonn. It took Vonn 11 seasons to win her first GS, of only three total. Moser-Proell’s GS was nearly as strong as her DH, and she notched 16 wins in that event. Vonn and Moser-Proell share a relative weakness in slalom, with two and three wins respectively. Both were up against specialists in their day, though with more races in the modern World Cup schedule (17-29 races per year during Moser-Proell’s reign, versus  33-38 during Vonn’s), the task for all-arounders to manage the training, rest and gear required to compete in five distinctly contested events (versus three in Moser-Proell’s era) is considerably more challenging.

 

EXPERIENCE COUNTS

Vonn has won on the Lake Louise course 14 times. Moser-Proell’s most wins came at Pfronten, which she won seven times, including her last World Cup downhill in January 1980 — the only speed event missed that season by her archrival, Switzerland’s Marie-Theres Nadig. With the tour returning to classic courses annually, as it has in Vonn’s entire career, experience becomes a compounding advantage. During Moser-Proell’s reign, some of the classic downhills on the tour were not run every year, and racers did not ski the hill for Super G as well, giving experienced racers less of a relative advantage. On the flip side, all racers and especially women retired much younger during Moser-Proell’s era, so she did not have to maintain her dominance through multiple waves of young, fresh stars as Vonn has.

 

GETTING PHYSICAL

Vonn was not athletically gifted in her early years; she was a tall skinny girl and self-described klutz who came into her strength late. That shifted when her father hired a strength coach from the San Francisco 49ers and exploded when she signed with Red Bull in 2005 and became part of their Athletes Special Projects, run by former Austrian downhill trainer Robert Trenkwalder. Per Lundstam, a trainer for the U.S. Ski Team from 1994–2010 and now with Red Bull recalls: “Once she got it into her head to use her physical abilities as a tool she embraced it and thrived.” Vonn, at 5’ 10” and 165 pounds, simply out trains the competition, with high-volume workouts and the most advanced sports science and facilities in Austria and at home.

Moser-Proell also started out as skinny girl who grew mighty in stature. While Vonn’s strength is built through methodical process in the gym, Moser-Proell’s came first from necessity (working on the farm and climbing home after school). Though never known for her athleticism, she skied herself into shape and used the après ski-loving, work hard/play hard image to underscore her overwhelming strength.

OLYMPIC TRIALS

After an impressive sixth place in combined (the best U.S. result for the women’s team) in her Olympic debut at the 2002 Games at Salt Lake City, Vonn came into 2006 as a top U.S. medal contender in the speed events. However, teammate Julia Mancuso stole the show with a gold medal in the GS. Moser-Proell was also upstaged in her first Olympics in 1972. Even as the Austrian team threatened to pull out of the Olympics following Karl Schranz’s ban, Moser-Proell was the clear favorite in both the DH and GS. But Switzerland’s Nadig won gold in both events. Both Moser-Proell and Vonn sat out an Olympics at the peak of their careers — Vonn in 2014 and Moser-Proell in 1976. 

 

Moser-Proell celebrates her downhill gold at Lake Placid. She retired from racing soon after the 1980 Winter Games. Photo courtesy of International Olympic Committee

POINTS

The current scoring system, where race points are awarded to the top 30 finishers, starting at 100 for a win, was implemented in the 1991–92 season. In Moser-Proell’s era, 25 points were awarded for a win, and points only went to the top 10. Under the modern scoring method,  a consistent racer can amass points even while finishing outside the top 10. 

 

THE COMBINED FACTOR

Moser-Proell's tally is boosted by seven "statistical combined" events that were calculated from separate — and already individually tallied — slalom and downhill races, a so-called “paper race.” Meanwhile, Vonn's five combined victories represented a new, stand-alone event that consisted of one downhill and two slalom runs.

 

PERSONAL BUSINESS

Lindsey Kildow’s career was first managed by her father Alan and then by her husband, fellow ski racer Thomas Vonn, whom she married in 2007. Thomas became the ultimate “rep,” meticulously managing every detail of her career. The couple divorced in 2011. As author Nathaniel Vinton describes in his 2015 book The Fall Line, the divorce “coincided with Lindsey’s rapprochement with the man who had most opposed the relationship to begin with: her father, Alan Kildow, who threw his energy into the brass-knuckled litigation that lasted more than a year.”

Moser-Proell also established a close racer/rep relationship, marrying her ski technician, Herbert Moser, in 1974. They remained together until his death in 2008. 

 

Vonn has achieved global fame, with red-carpet Hollywood appearances, fashion spreads and magazine covers. She's shown here doing an agility training exercise while shooting an advertisement for UnderArmour in 2011. ASP Red Bull / U.S. Ski Team

FAME

Vonn embraces the media, particularly after posing for the Sports Illustrated swimsuit edition in February 2010, the year she struck Olympic DH gold in Vancouver. She is featured in ads for everything from Under-Armour to
Alka-Seltzer. Her relationship with golf superstar Tiger Woods has vaulted her into another realm, with red carpet Hollywood appearances, a fashion spread in Vogue, cover stories in People and other U.S. magazines and a year-round media presence. Fame in the United States came much later than in Europe, where she endeared herself to fans by conducting interviews in German. In 2010 she won the Laureus World Sports Awards “Sportswoman of the Year” and captured the Best Female Athlete ESPY in 2010 and 2011.

When Moser-Proell won her first overall World Cup in 1970–71, 10,000 people showed up to celebrate in her hometown. Even today, 35 years after her last victory, Moser-Proell, Austria’s Sportswoman of the Century, is among the most highly regarded and loved athletes in Austria. 

Vonn’s global fame, however, eclipses that of Moser-Proell, who was never comfortable speaking to the press in English. Her Cafe Annemarie restaurant at Kleinarl, renamed Café-Restaurant Olympia after she sold it following her husband’s death in 2008, remains a tourist attraction and she appears at major ski events. Though still much loved and revered in her home country, her fame outside of the ski world (she was named a Legend of Honor at Vail in March 2014), does not extend much beyond Austria.

FORTUNE

Vonn’s rewards, in addition to annual multi-millions from contracts with her sponsors, include prize money, which is now awarded at each World Cup race. In 2012, when she won 12 events and the overall title, she topped the list for men and women with $608,000.  In 1976 the Olympics laws were rewritten, allowing leniency to athletes who had received money from sponsors, and acknowledging the under-the-table deals common with top European skiers. Though the money exchanged was far less than today, and prize money was not allowed, Moser-Proell’s version of rock-star status included her own technician, a fast Mercedes, and, best of all to the avid hunter, access to private hunting grounds. 

 

IMAGE

Just as Vonn is never interviewed without her Red Bull hat on her head or can in her hand, Moser-Proell was closely associated with the cigarettes she enjoyed, whether while partying late at night, or having a smoke just before or after her run. It was at once a ritual of relaxation and of asserting the Alpha role of “La Proell,” as she was called by the French racers and then by international media.

 

THE COMEBACKS

Both Vonn and Proell took a break at the peak of their careers. Vonn took an involuntary break after her injury in 2013 and the re-injury that kept her out of 2014 Sochi Games. She remained a fixture of the team throughout, but did have to contend with the emergence of a new superstar, teen wonder and Olympic champ Mikaela Shiffrin. Moser-Proell voluntarily retired in 1976, despite the Olympics in her home country, to take care of her ailing father, who passed away later that year. Financial concerns, among other factors, brought her back to the sport the following season, though she was required to requalify for the Austrian team.

 

ON-SNOW TRAINING

Vonn, like most current World Cup racers, skis year-round on glaciers and in the southern hemisphere during her off-season. Despite the prevailing wisdom of the time (that too much skiing, and training at high altitude, was detrimental), Proell did make the 40-minute drive to Kaprun to take the tram to the Kitzsteinhorn Glacier, which opened for skiing in 1965. Summer skiing allowed Salzburg teams to disrupt the longtime dominance of Tyrol, and led to further glacier skiing developments throughout Austria.

 

THE GEAR

For contractual reasons, Vonn switched to Head Skis the summer before the 2010 season, inheriting not only Bode Miller’s skis, but his prized technician Heinz Haemmerle. Vonn’s size and strength allowed her to take advantage of the trade-off between the speed offered by longer, stiffer men’s skis versus the maneuverability of shorter women’s skis.   

Moser-Proell skied for Atomic throughout her career, living as she did in the village so close to the Atomic factory in Wagrain. However, tensions in Wagrain rose in the fall of 1974 when Proell briefly considered a switch to Kästle. Upon her return in 1976 she signed on with Atomic through 1980. The newspapers reported that she had “$5 million reasons” to come out of retirement, alluding to the money provided by her sponsors Atomic and Dachstein. Moser-Proell’s size, strength and technique allowed her to ski on 225 cm men’s downhill skis as well, though only when the courses and conditions suited them. 

Moser-Proell did experiment with a steel plate underfoot, but she preceded the era of Derbyflex and integrated binding plates. Vonn’s racing career started after the development of hinged gates and shaped skis, while Moser-Proell predated both of those changes (hinged gates were fully adopted on the World Cup in 1981 and shaped skis appeared in the Nineties). Vonn is reported to travel with 50 skis. Moser-Proell’s quiver, all carefully selected and tested, included three pairs per event, plus two for freeskiing.

 

Even today, 35 years after her competitive career, Moser-Proell—named Austria's Sportswoman of the Century—is one of the most highly regarded athletes in the nation. She recently said of Vonn: "Nothing better could happen to skiing…[Lindsey] elevates the sport with her achievements."

THE LEGACY

Christin Cooper, who won a silver medal in GS in the 1984 Winter Games, makes the case for Moser-Proell being the original skiing feminist, who paved the way for the opportunities, commercial exposure and equal access that racers like Vonn, Lara Gut and Julia Mancuso now enjoy. “Moser-Proell broke new ground in those areas, and only she had the cred at the time to do it,” says Cooper. “She modeled gnarly, unrepentant competitiveness before women athletes had come to own that space with pride and confidence.”

Vonn, in turn, has taken full advantage of what Moser-Proell started and is creating her own legacy in the sport. "She's the best thing that has happened to skiing in a long time," adds 1968 Olympic triple gold medalist Jean-Claude Killy of France. "An unbelievable athlete…and great ambassador for our sport."

Rather than arguing who is better, perhaps it is more fitting to pass the baton from one great champion to the next, as if to say, “It’s your turn, Lindsey. Run with it and see how far you can go.” 

 

Edith Thys Morgan is author of Shut Up and Ski: Shootouts, Wipeouts and Blowouts on the Trail to the Olympic Dream. She raced on the World Cup for six years as a Super G specialist, finishing 9th at the 1988 Winter Olympics.

     To read more about Annemarie Moser-Proell, see “Where Are They Now?” in the March-April 2013 issue of Skiing History

Special thanks to ISHA editorial board member Patrick Lang for contributing to this article; to John Fry, who composed the "Top Ten Women Racers" sidebar; and to Tom Kelly at the U.S. Ski Team and Mo Guile at Agence Zoom for photography.

Lindsey Vonn