Skip to main content

Feature article

Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Halsted "Hacksaw" Morris

Before Hans Gmoser and Mike Wiegele made it a success, heliskiing had unsung pioneers.

The helicopter has been called the God Machine for its ability to hover and land on almost any kind of terrain. One has even summited Mount Everest: On May 14, 2005, test pilot Didier Delsalle braved high winds to perch a Eurocopter AS350 B3 on the summit for 3 minutes, 50 seconds, repeating the landing the next day. No one has done it since.

Photo above: Hans Gmoser (right) with five guests and a pilot, with a Bell 47B1, at Valemount in 1969. Courtesy CMH.

In decent weather, helicopters can land anywhere on earth. That wasn’t always the case. An early Bell 47G2 with a 260-horsepower piston engine could barely hover and land at 10,000 feet (3,048 m) in still air. That was just high enough to reach the ridgelines, if not all the summits, in British Columbia’s Bugaboos.  

Hans Gmoser, widely credited as the inventor of heliskiing, came to Canada from Austria in 1951, at age 19, and quickly became known as a top climber. He opened his own guide service in 1957, and in 1963 helped found the Canadian Mountain Guides Association. Gmoser himself said that the idea of heliskiing was first brought to him by Art Patterson, a Calgary geologist and a skier. Patterson had used helicopters in the mountains for summer fieldwork, and he knew that a lot of these machines were sitting idle during the winter months. He thought that hauling skiers could be an interesting new business. He also realized that to make the idea work, he would need professional guides who understood routefinding, snow and avalanches. Gmoser and Patterson teamed up, with Patterson handling the business side and Gmoser the guiding.

Their first heliski adventure began in late February 1963. Twenty clients, organized by Brooks and Ann Dodge, paid $20 each (approximately $160 in today’s dollars) for a day on Old Goat Glacier, 10 miles south of Canmore, Alberta. The result was disappointing. The two-seat Bell 47G2 helicopters could fly only one passenger at a time and climbed at less than 850 feet per minute; it took hours to get everyone to the 8,200-foot (2,500 m) summit. Then the snow conditions turned out to be less than ideal. They tried another heliski day in May, but encountered high winds that limited the possible landing zones. Patterson decided that heliskiing was a risky business and dropped out. But Gmoser saw the potential in helicopters.

He eventually renamed his guide service Canadian Mountain Holidays and, with the advent of fast-climbing, heavy-hauling, jet-powered helicopters, was able to create a successful heliski and helihike operation.

That’s the accepted version of heliskiing’s genesis. But earlier pioneers preceded Gmoser and Patterson.

1948

Writing in Vertical magazine (March 2012), Canadian aviation writer Bob Petite reported, “The first recorded occurrence of a helicopter being used to airlift skiers into mountains was back in 1948, by Skyways Services, which was one of three Canadian commercial operations at the time.” This wasn’t heliskiing proper—it was an air taxi service from Vancouver to the summit of Grouse Mountain ski resort (1,231 m, 4,039 ft). The fare-paying passengers then skied the lift network.

1950

In 1950, pioneering avalanche expert Monty Atwater used a helicopter while surveying Mineral King Valley, the proposed Disney ski resort in California. Elevations ranged from the valley floor at 7,400 feet (2,300 m) to surrounding peaks of more than 11,000 feet (3,400 m). In his book
Avalanche Hunters, Atwater wrote:


On June 6, 1955, test pilot Jean Moine 
landed a specially-lightened Bell 47G on
the summit of Mont Blanc (15,777 feet,
1808 meters), carrying mountain guide
Andre Contamine.

“In Northern California I once did a job surveying a complex of ski areas of the future. My companion and I used a chopper first of all to jump over the snowbound (i.e., closed for the winter) highways. Then we used it as a ski lift with an infinite number of lines. It flew us to the top, picked us up at the bottom, flew us to a different top. In three days of about three hours of flying time apiece we did more work than we could have in a month on foot and with Sno-Cats, and we did it better. It was an aerial platform for making maps and photographs. If one of us got hurt, our angel of mercy was slurruping overhead. I have ridden helicopters from Chile to British Columbia, and I have great affection for them.”

Clearly, Atwater was heliskiing. His wife, Joan, did realize how much fun it could be. Atwater wrote: “As soon as she knew that there was a chopper on the program, Joan began propagandizing for a ride in it. ‘Not a chance,’ I told her. ‘Do you have any idea how much it costs per hour to fly this doodlebug? Besides, it’s a government job and the government doesn’t approve of using its equipment for joy riding.’”

Much later, in 1965, Disney also hired Swiss avalanche researcher (and Aspen skiing pioneer) André Roch to study Mineral King. Roch, too, used a helicopter to access the higher bowls, and he brought along other skiers on these trips. If Disney had known, he might have become the first heliski vacation developer. Regardless, Mineral King Ski area was never developed due to opposition by environmental groups.

1957–58

Bengt “Binx” Sandahl moved to Alta, Utah, in 1953 and worked as a bartender in the Alta Lodge. There, he became interested in snow and avalanche work, and, according to his daughter, he talked frequently with Atwater, who was by then director of the avalanche research center. The following year he left to take a job in Alaska, where he eventually worked as a ski instructor at Alyeska. Skiing magazine (February 2007) reported that in 1958, Sandahl guided skiers using a helicopter. Video exists of an Alouette II—the first turboshaft helicopter, introduced in 1956—carrying four skiers and a pilot at Alyeska, around that time. Sandahl apparently hauled skiers to Max’s Mountain on the south rim of Alyeska’s bowl, charging $10 per ride for up to 100 skiers per day. Sandahl later became Alyeska’s snow safety director. Returning to Alta, he was hired as the U.S. Forest Service snow ranger in 1964. He then used helicopters to drop explosives into avalanche chutes.

The January 1959 issue of SKI magazine ran an article entitled “By Helicopter to Virgin Snowfields,” about replacing ski-equipped planes with helicopters for glacier skiing in Alaska and the Alps. “By helicopter it is possible to ski unbroken powder all day long without ever seeing ski tracks except the ones you make yourself.” The reference to heliskiing in Alaska is to Sandahl’s operation. The article reported that at Gstaad and at Val d’Isère, skiers could ride for $22 to $52 per flight—about $176 to $416 today. Heliskiing has never been cheap.

1960s

In 1963 Bob Hosking was flying skiers from the Rustler Lodge at Alta. It’s not clear if he held a special use permit that allowed this. It’s said that for $5 or $10 one could buy a lift to Mount Superior, above Alta.

The big breakthrough, as Sandahl had found, came with jet engines. In 1961 Bell introduced the turboshaft-powered 204/205 series helicopters, capable of flying 10 to 14 passengers and climbing 1,750 feet per minute. That was more than 20 times the performance of a Bell 47.


Bell 205 turboshaft helicopter was the breakthrough
for efficient heliski operations. That's Mike Wiegele
skiing. Courtesy MWH.

Before long, the 205 was outfitted with a 1,500-horsepower engine. So equipped, by the late 1960s, Gmoser really had CMH up and running. Sun Valley owner Bill Janss skied with Gmoser in the Purcell range and in 1966 launched Sun Valley Heliski. Mike Wiegele started his operation in Valemount, British Columbia, in 1970 and moved down the road to Blue River in 1974. In 1973 Wasatch Powderbird Guides started operations in Utah (Hosking was a partner). By November 1982, Powder magazine listed 15 heliskiing operations in the Lower 48 states alone.

Learning curve

The early leaders in heliskiing learned by trial and error. Protocols were needed for both helicopter and avalanche safety. Once the boom started, Gmoser and Wiegele, in particular, faced a shortage of qualified guides, the reason for the foundation of the Canadian Ski Guides Association (CSGA) in 1990. CSGA now has about 130 members, and heliskiing contributes more than $160 million annually to the economy of British Columbia. 

Fat skis: A second boom

By the late 1980s, the rising cost of aviation fuel was cutting into profits for heliski operators. The crunch was exacerbated by a limited pool of capable powder skiers—there simply weren’t a lot of skiers who could handle bottomless powder on the 68 millimeter–waisted straight skis of the era. Then in 1988, one of the competitors in Mike Wiegele’s Powder 8 contest contacted Rupert Huber at the Atomic ski factory and asked for a fatter powder ski. Huber responded in 1990 with the Powder Plus fat ski (112 mm waist width). Wiegele adopted and promoted the concept. Fat skis took off, and heliskiing resumed growing.

 

First Heavy Lifter


Fa-223: The first heavy-lift, high-altitude
helicopter. EADS-Messerschmitt
Foundation.

Use of helicopters in mountainous terrain depends critically on engine power. The first machine to lift significant loads at higher elevations was the German Focke-Achgelis Fa-223 Drache (Dragon), a twin-rotor design that first flew in 1940, powered by a 1,000-horsepower radial engine. Climb rate was 1,700 feet per minute. Theoretical service ceiling was 23,000 feet (7,100 m) at light weight, and 8,000 feet (2,440 m) with a full payload of 1,000 kg (2,200 lb). This was better than twice the performance of the much smaller Bell 47.

A Fa-233 is known to have crashed on Mont Blanc in 1944 during an attempted mountain rescue. Mountain flight testing resumed in Mittenwald in the Bavarian Alps in September 1944, with an emphasis on hauling heavy cargo to mountain troops—howitzers, for instance. The highest landing was at 2,300 meters (7,549 ft) while testing performance as an air ambulance. By then the factory had been repeatedly destroyed by Allied bombers and the project was abandoned. Of 11 built,only three survivedthe war. Neither of the Austrian-born pioneers of Canadian heliskiing, Hans Gmoser and Mike Wiegele, were aware of the German experiments.

Halsted Morris is president of the American Avalanche Association. His patrol handle is “Hacksaw.” See his website at heliskihistory.com.

 

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By John Korobanik

In 1964, the Kokanee Glacier gave birth to Canada’s national ski team.

Canadians fared poorly at the 1964 Olympics in Innsbruck. Only Nancy Greene had a top-10 finish (seventh in downhill). In May 1964, former Canadian downhill champion Dave Jacobs, who had retired with a broken leg in 1961, wrote a letter to Bill Tindale, then president of the Canadian Amateur Ski Association (CASA), concluding: “We have some tough problems to solve which require some slightly revolutionary solutions.”


Nancy Greene welcomes a newcomer
to the Kokanee cabin. Photo courtesy
Nancy Greene Raine.

Jacobs had experienced firsthand Canada’s dysfunctional ski racing program and witnessed the hugely successful programs of European nations. France, Austria and Switzerland had full-time coaching staffs, dedicated national teams with scheduled training camps and established programs for younger skiers to advance to the national level.

Canadians, by contrast, trained at their own hills, then gathered for a selection camp before major international events. CASA would then hire a European coach to join the team when it arrived at the events. This arrangement seemed to work for brilliant skiers like Lucile Wheeler and Anne Heggtveit, but it wasn’t a plan for consistent success. When Jacobs and his Canadian teammates arrived in Germany en route to the 1958 World Championships in Bad Gastein, Austria, they had never even met their coach—German Mookie Causing—and Causing certainly knew nothing about the Canadians.

It was time, Jacobs said in his letter, for Canada to develop a national team program, in which skiers could attend university on scholarship and train year-round with a full-time coaching staff. Unbeknownst to him, a small group of forward-thinking individuals were already working on just such a program. In Montreal, Don Sturgess, chairman of CASA’s Alpine competition committee, and B.C.-based John Platt, vice-chairman, had already agreed that drastic changes were needed. Meanwhile, in Nelson, British Columbia, Notre Dame University (NDU) President Father Aquinas Thomas and athletic director Ernie Gare had just implemented Canada’s first university athletic scholarship program, for its hockey team.

The four men saw plenty of common ground that could benefit both CASA and NDU.

Sturgess replied to Jacobs’ letter, saying CASA was likely to set up a national program in Nelson that year and, by the way, would Jacobs be interested in the head coach job? Jacobs eventually accepted the offer, with half his $6,000 annual salary paid by the association and half by Notre Dame, where he was employed to teach freshman math. Peter Webster took a leave from his banking job to serve as pro bono team manager, although he did receive $1,800 annually from the university to also serve as dorm supervisor.

So in the summer of 1964 Jacobs and Webster welcomed 15 men and 10 women to their new homes—the dorm at NDU—where the intense East-versus-West rivalry eased and one truly national team evolved.

Jacobs introduced high-intensity dryland training in preparation for hikes to nearby Kokanee Glacier for summer training, an experience few team members would forget. “You had to carry all your stuff in this backpack, and it was at least a three-hour hike that was quite rugged,” recalls Andrée Crepeau. “When we got to the top, some of the girls were in these tiny cloth sneakers and there was a foot and a half of snow and it was dark, completely dark.”


The first Canadian National Team, 1964. 
Courtesy CASA.

“We had those Keds, little canvas shoes,” adds Nancy Greene. “We used to go and get them at Kresge’s for a dollar forty-nine. The second year we got running shoes.”

“The boys had gone ahead, so we at least had a path in the snow to follow,” continues Crepeau. “It was kind of scary, but really exciting, and when we finally got to the cabin, wow! We were all on the floor of the top floor, no mattresses, nothing, people farting, snoring. It was such an adventure. I was a shy, well-bred little girl. I had turned 17 a couple of months before so it was quite a discovery. I loved it.”

“Each morning at 6:00 a.m. we hiked, skis on our backs, up to the glacier,” says Barbie Walker. There, a cable drag-lift awaited them, with a gasoline engine powerful enough to haul only one skier at a time. Each skier carried a tow harness that clipped to the cable. “That came in very handy to use as a tourniquet when coach Bob Gilmour, wearing shorts, sliced his calf deeply,” Walker recalls. “That accident was at 10:00 a.m., and we built a tent shelter out of ski poles and jackets to shield him from the hot sun. Currie [Chapman] ran down to the parking lot where the buses say, but, alas, the porcupines had eaten the rubber tires. He had to run further, to Kaslo, only to discover the helicopter was in Cranbrook for repairs. Four hours after the accident, Bob was riding beneath a helicopter on his way to the hospital in Nelson.”

After a day of hiking and skiing, the reward was a swim in the frigid glacier lake, followed by a sauna, sort of. Keith Shepherd, Currie Chapman, Peter Duncan and Rod Hebron had found an old pot-belly stove that they incorporated into the makeshift sauna. “Three walls of plastic on a frame against a flat rock, with a flap for a door, made warming up after the swim enjoyable,” says Walker.

With all of the hiking and just the one-person lift, Crepeau said the skiers only got in about four runs a day. “I sort of said, what am I doing this for? Am I really going to learn something with four runs?” Indeed, the skiers did learn, and it showed in their results.

“We went to the first races in 1965 in Aspen,” Jacobs says. “Billy Kidd and Jimmy Heuga had just won their ’64 Olympic medals. And Peter Duncan, Nancy Greene, Bob Swan ... they pretty much cleaned those guys. Sports Illustrated wrote this big article, ‘Canadians Raid Aspen.’ And it took off from there.”

Jacobs left the team after the 1966 season to work for Bob Lange. In 1967, Greene won six individual races and the first-ever women’s overall World Cup title. A year later she defended that title and won Olympic gold and silver as well. At the time, critics said she would have won even without the program.

“For me it was the perfect situation,” Greene says from Sun Peaks Ski Resort, where she is director of skiing and operates Nancy Greene’s Cahilty Lodge along with husband, Al Raine, former head coach and program director of the national team. “I trained a lot with the guys, so I always had somebody around who was skiing better than I was, who was training harder, who I would have a hard time catching up to.”

Based on her success, the International Ski Federation awarded a 1968 World Cup race to her home hill, Red Mountain, in Rossland, British Columbia. It was the first World Cup held in Canada.

Greene retired after the 1968 season, at age 24. Al Raine took over as head coach. The program moved out of Nelson in 1969 when Raine and CASA decided the skiers needed more time on snow and less in classrooms.

But the groundwork had been laid, and the Nelson camp launched an intergenerational success story. First, Betsy Clifford became the 1970 FIS World Slalom Champion, and Kathy Kreiner the 1976 GS Olympic champion. Then Currie Chapman coached the Canadian women when Gerry Sorensen and Laurie Graham took gold and bronze in downhill at the 1982 World Championships, and Scott Henderson coached the men’s team that gave birth to the Crazy Canucks, including Steve Podborski’s World Cup downhill title in 1982 and, eventually, Ken Read’s on-snow success, followed by his longtime stewardship of Alpine Canada. 

Freelancer John Korobanik is former managing editor of the St. Albert Gazette, in St. Albert, Alberta.


Photo courtesy CASA

The Original Team

Head coach Dave Jacobs
Manager Peter Webster

MEN
Gerry Rinaldi
Currie Chapman
Peter Duncan
Rod Hebron
Scott Henderson
Wayne Henderson
Bert Irwin
Jacques Roux
Dan Irwin
John Ritchie
Keith Shepherd
Gary Battistella
Bob Swan
Michel Lehmann
Bob Laverdure

WOMEN
Nancy Greene
Andrée Crepeau
Karen Dokka
Judi Leinweber
Emily Ringheim
Stephanie Townsend
Barbie Walker
Heather Quipp
Garrie Matheson
Jill Fish

Photo top of page:  Volkswagen contributed buses painted in national team colors and members all had a Canadian uniform. “We had never had everyone in the same uniform before,” says Jacobs. “Everyone had a sense of purpose. This was Canada’s national ski team. It gave everyone tremendous incentive.”

 

 

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Jay Cowan

Skiing predates establishment of the first national park, in 1872.

The unique spectacles of Yellowstone National Park are as engraved on the collective American consciousness as Mount Rushmore, the Grand Canyon and West Coast redwoods. Incredibly, the park’s sights in winter are even more rare and evocative.

Photo above: Skiers from the Haynes Mid-Winter Expedition break trail, circa 1887-1901, in the Obsidian Cliff area, with
several hardy souls pulling fully loaded supply sleds.


Frederic Remington's 1886 painting of a U.S.
Army officer patrolling Yellowstone. For 32
years, cavalrymen from Fort Custer,
Montana Territory, enforced park regulations.
By 1910, 325 troopers were stationed in the
park. Courtesy New England Ski Museum.

Geyser plumes and steam rise through the brittle-cold air like smoke from hundreds of scattered campfires. Ice-rimed bison look impossibly stoic and noble. Eagles and ravens glide just above rivers warmed by hot springs and floated by trumpeter swans. Elk and moose plow through chest-high drifts, mountain goats the color of the snow roost on sunburned cliffs, and scattered bear paw prints start appearing in the early spring. The rumble of myriad waterfalls are muted when they freeze into stunning ice stalactites, domes and walls. And the visibility stretches across half a dozen mountain ranges and three states.

It’s a big slice of the classic Wild West, literally frozen in time about six months out of every year. In Paul Schullery’s excellent book Yellowstone’s Ski Pioneers, he says that people were probably skiing in the area before it became the world’s first national park in March 1872. The earliest written reference is from a journal by A. Barr Henderson, a miner who started prospecting in the Yellowstone Valley in 1866.

Around Christmas of 1871 Henderson left his camp near present-day Emigrant, Montana, and “went to Bozeman on a pair of 15-foot snow shoes.” At that time his route should have taken him near or through the northern reaches of what would become the park a few months later.

Another likely early skier was Henry Maguire, author of The Coming Empire: A Complete and Reliable Treatise on the Black Hills, Yellowstone and Big Horn Regions (1878). He made numerous winter trips into the park starting in 1873, and while his book makes no mention of skis or skiing, Schullery feels that Maguire would have had to ski, at least sometimes, in order to see what he wrote about.

On an attempt to get to Yellowstone Falls and the geyser basins in December 1873, Maguire was turned back by deep snows and avalanche conditions. Upon reaching Mammoth Hot Springs, he wrote, “I felt amply repaid, however, for making the trip that far. It seemed as though the torrid and frigid zones had met at the spot, and flung together the phenomena peculiar to each. Bright-green ferns, and other water-plants, grew in rank profusion, along the rims of the myriads of perpetually boiling springs, in


Professor Bosse, illustrator for the
Haynes Mid-Winter Expedition, sketches
near the Norris Geyser Basin. Photo:
FJ Haynes, Montana Historical Society.

the hot breath of which descending snowflakes were converted into water before they reached the earth; while hard by were colossal icicles and trees thickly encased in frost, the surrounding landscape being deeply buried in snow.”

Poachers invade

Unfortunately, most of Yellowstone’s early skiing didn’t center on exploration and sightseeing, but on wholesale wildlife poaching and efforts to prevent it. The harsh winters forced bison, elk and deer into valleys where they could become trapped in deep snow. Hunters on skis had been overwhelming them for years, and that didn’t end when the area became a national park.

“The 1870's was a time of incredible waste and destruction among western wildlife populations, and Yellowstone Park was no exception,” writes Schullery.

General W.E. Strong, who explored Yellowstone on an expedition in 1872, wrote, “In 1870, when Lieutenant Doane first entered the Yellowstone Basin, it was without a doubt unsurpassed on this continent for big game… During the past five years the large game has been slaughtered here by professional hunters by thousands, and for their hides alone.” The meat was left to rot.

Ten years late in coming, an 1883 change in the park regulations prohibited “absolutely” the killing of most wildlife. Yellowstone ski patrols became a big part of the anti-poaching efforts, since the bulk of the damage was done in winter.


Haynes Expedition gearing up at the
Norris Hotel. FJ Haynes, MHS.

Between the poachers, army ski patrols, various expeditions, the mail delivery system, a growing string of small lodges and ranger stations that were inhabited year-round and increasing numbers of skiing tourists at Mammoth Hot Springs, early Yellowstone was one of the most active ski sites in the country.

Schwatka-Haynes expedition

When a much-ballyhooed 1886–87 winter expedition was launched by the Arctic explorer Lt. Frederick Schwatka and newly-appointed official Yellowstone photographer F. Jay Haynes to catalog the “mysteries” of that season, locals scoffed that it was no new thing to ski around the park in the winter.

“As well talk of ‘exploring’ Central Park, New York, as the National Park. The National Park is a well known country, everything worth seeing is mapped out,” declared seasoned Yellowstone skier Thomas Elwood (“Uncle Billy”) Hofer in a series of stories for Forest and Stream magazine titled “Winter in Wonderland, through the Yellowstone Park on snowshoes.”

No one minimized the risks of a deep dive into winter in country where nighttime temperatures could plunge to -50 Fahrenheit, and the days weren’t always much warmer. Blizzards could strike any time, it was easy to become disoriented and lost, and you had to carry enough food and warm weather gear to survive if that happened. The list of hazards was long, and some seriously hardcore Revenant-style hardships were regularly endured when any untimely mishaps could quickly become life threatening.


The Haynes-Hough party encounter a
poacher carrying furs. FJ Haynes, MHS

Consider the well-documented story of the biggest poacher bust in the park’s history. Edgar Howell was one of the region’s most notorious and rugged wildlife killers and in 1893 still operated with impunity. But army scout Felix Burgess managed to arrest him on March 12, in the Pelican Valley, for killing some of the last bison in the park. Catching Howell in the act was daring and difficult. But getting him back over the course of two days to Fort Yellowstone at Mammoth Hot Springs was Jack London material. Transporting a dangerous criminal through harsh conditions cost Burgess parts of one foot to frostbite.

As Schullery notes, it would be hard to say when skiing in the park became less about this kind of daunting work and more about recreation. “Indeed it probably always was,” he writes. “Skiing was certainly a popular local activity by the time Fort Yellowstone was built in 1891.” Accounts in 1894 mentioned children skiing at the fort regularly, with skis of all sizes stacked outside many houses, “just as in the park today,” observes Schullery.

In April 1902, President Theodore Roosevelt, who had been instrumental in the park’s creation, went skiing out of Mammoth with nature writer John Burroughs.


Staff member Lucy at the new hotel at Mammoth
Hot Springs, c. 1896. Photo: Fred Bradley,
University of Montana Mansfield Library.

Alpine skiing, 1941

By 1941, according to Stan Cohen’s comprehensive book Downhill in Montana, a Yellowstone Winter Sports Association was founded “for the purpose of purchasing a ski lift for the use of Yellowstone Park residents and for the promotion of other winter sports activities.” That winter a rope tow was installed on the north side of Mount Washburn. The next season a thousand-foot tow, rising 250 feet, operated east of Mammoth Hot Springs near Undine Falls.

For 50 years the tow furnished regular recreation for park employees and Gardiner and Mammoth residents. Lessons became part of the curriculum at local schools. Then, in 1994, several public controversies over safety issues and possible ski area expansion erupted, and the National Park Service pulled the plug on the ski area. In the meantime, lift-served skiing had sprung up all around the park, in Cody, Jackson Hole, Grand Targhee and Big Sky.

Today cross-country skiing within Yellowstone and Grand Teton is flourishing to the point where conflicts have arisen with snowmobilers and snowcoaches—not to mention concerns about the effect of traffic on the delicate winter ecosystem.


1928 guidebook for
automobile tourists. Mohawk
Rubber Co., University of
Montana Mansfield Library.

Yellowstone under snow poses a harsh enough challenge to flora and fauna without adding increasingly high levels of human interaction to the mix. The average frost-free period is barely more than a month. Annual plants, and even perennials, have a tough time some years, and that directly affects wildlife populations that are already under stress.

Winter can be deadly for many of the park’s species, especially bison, which get scalded by geysers and hot springs and mired in thermal bogs, and sometimes fall through the ice on rivers. One winter, 39 bison broke through on the Yellowstone River and drowned.

Over-winter survival rates among the newborn of most large fauna are often less than 50 percent. Moose calves spend their first two years with their mothers, who protect them from predators and guide them to foraging areas. Deer, elk, moose and bison sometimes team up to take turns breaking trail.

The geothermal areas offer oases of green and blooming plants in midwinter, so temperate that they maintain insect populations. Mosquitoes in January may be annoying, but they’re a small price to pay for making it through another bitter winter.

With all of its brutal challenges for flora, fauna and humans, Yellowstone in winter remains a place of exceptional beauty and wonder that can verge on the spiritual. As all 139 square miles of Yellowstone Lake freeze over, the transformation of water to ice produces “music,” sometimes described as sounding like a great pipe organ or the ringing of telegraph wires. “Sometimes the music plays throughout the night—melodious, vast and harmonious. It stops within a few days when snow begins to accumulate on the ice,” writes Steve Fuller in Snow Country: Autumn, Winter & Spring in Yellowstone. Add to that a full-moon night with a chorus of wolves and coyotes joining in, and the experience can be fully transcendent. 

Frequent contributor Jay Cowan wrote about North American snowfall records in the July–August issue of Skiing History.

Yellowstone: Few Set Tracks, But Lots of Space to Wander


Over-winter survival rates for elk and
bison calves may be just 50 percent.

Though tracks are only set on a few trails, nearly all unplowed roads and trails in Yellowstone are open to cross-country skiing and snowshoeing. You may find yourself sharing the road with snowmobilers, and there’s always a possibility of wildlife encounters. Some visitors prefer to take a snowcoach from the town of West Yellowstone into Old Faithful or the Upper Geyser Basin and ski on marked trails from there. You can also drive through Grand Teton National Park from the Jackson side, then ski to Yellowstone from there. Mammoth Hot Springs is one of the park’s biggest winter centers. The road is plowed and open all winter to Cooke City, at the park’s far northeastern corner. —J.C.

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Jeff Blumenfeld

Jess Bell’s lipstick racers dazzled the ski world.

Photo above: Jess Bell (center in hat) often entertained New York fashion editors, providing an opportunity to field test his skin-protective cosmetics. The late team captain Karin S. Allen is third from right in the yellow outfit.

Revlon or Estee Lauder or Helena Rubinstein can have their high-fashion models. Their runways. Their heavily purple–shadowed eyelids and rouged cheekbones. Cleveland businessman Jess A. Bell, Sr., had a different idea when, in 1959, he succeeded his father at Bonne Bell, the family cosmetics business.

As major stores and ski area shops slowly warmed to his line of ski lipsticks, sunscreens and high-altitude creams (an alternative to pasty-white zinc oxide), Bell tossed in the women, called “girls” back then. They would come to be known as the Bonne Bell Ski Team.


To sell cosmetics, Jess Bell promoted
a dewey-cheeked outdoor look, with
creamy tan and snowy teeth.

Reported Anita Verschoth in the November 22, 1971, issue of Sports Illustrated, “Bell’s beauties all look as if they had just dropped in from the wholesome house next door. … The emphasis is on a sort of dewy-cheeked outdoor look, complete with creamy tan and snowy teeth.”

Bonne Bell Cosmetics was founded in 1927 by Bell’s father, Jesse Grover Bell, who had been selling cosmetics door to door in Kansas. After moving to Ohio during the Depression, he made his products on a hot plate in his basement and continued door-to-door sales. The company was named after one of the elder Bell’s daughters.

Beginning in the 1950s the company actively pursued the outdoor market, developing sun blocks, heavy-duty moisturizers and lip protectors for skiers, hikers and joggers. While more elegant cosmeticians fought over big-city sales, Bell’s tagline resonated with resort-bound skiers: “Out there you need us, baby.”

In 1973, as its celebrity sales reps were storming ski country, Bonne Bell introduced a lip pomade called Lip Smacker, aimed originally at skiers, then later at pre-teens. According to Women’s Wear Daily, “Lip Smackers achieved cultural icon status as the first flavored lip item on the market.” Lip Smackers started with strawberry, green apple and orange-chocolate flavors. By 1975, the brand made news with a Dr. Pepper flavor.


Supermodel Cheryl Tiegs (not a team
member) got an early start pitching
Bonne Bell's "Purse 'n Parka" lipstick
combination.

Jess Bell, a graduate of Valley Forge Military Academy and Baldwin Wallace College, served as a paratrooper in both World War II and the Korean War. He defied the common image of a cosmetics industry giant. A fitness buff, he scaled Kilimanjaro, ran marathons, swam to keep in shape and served on the President’s Council on Physical Fitness and Sports.

His Lakewood, Ohio, offices were smoke-free long before that became common, and he pioneered the idea of an office fitness center. He offered incentives to employees who exercised regularly, lost weight or quit smoking. 

Avalanche of Applicants

Georgia Lesnevich Haneke, a photographer and horsewoman from Heber, Utah, was on the Bonne Bell Ski Team from 1971 to 1974. She recalls that the selection process was fierce, with “thousands of applicants.” She asked her stepfather, a classmate of Jess Bell, to provide an introduction.


To promote Bonne Bell sunscreen for
men, Bell hired Billy Kidd, fresh off his
1970 combined world championship.

She flew to Bonne Bell headquarters, and 48 hours later Bell offered her a salary of around $12,000 per year, all expenses paid, and free ski equipment. She credits her acceptance to “good looks and skiing ability.” But it was no walk in the park. Her responsibilities included selling cosmetics, visiting retailers, straightening stock, filling out sales reports, going to ski resorts and pre-running NASTAR courses.

“It was 90 percent hard work, and 10 percent glamour,” she says. “Sure, it was a sales job, but I felt like a mini movie star. You’d walk into a retailer or hotel or ski resort and when the Bonne Bell Ski Team girl arrived, they treated you like royalty. Everyone knew who you were and what you represented.”

The late Karin S. Allen, team captain, told Sports Illustrated in 1971 that being on the team was better than being Miss America.

Allen moved to Woodstock, Georgia, following 40 years with the company in roles that also included international sales training. She passed away in August 2021, shortly after sharing her Bonne Bell experiences with us.

“Jess was brilliant,” she said. “The Bonne Bell Ski Team was made up of surfers as well as skiers, and was a great marketing tool for attracting new customers. The other cosmetics salespeople showed up in mink coats and high heels. Instead, our girls were athletes. There were about 10 of us at any one time, working across the U.S., and we were all skiers.

“Jess used to say, ‘You’re healthy and wholesome, toasty and brown, and you’re killing your skin,’ in reference to girls who went into the mountains or out in extreme weather with no sunscreen protection,” Allen said.

“When I look back on my career, I consider it to be the most amazing job you could ever have. Jess Bell was generous, loyal and supportive. We could not have had more fun in our working lives. There wasn’t a morning when my feet hit the floor and I wasn’t excited to do the job.”

“Sign Me Up”

Nancy Stofer Brehm, a retired schoolteacher in Saugatuck, Michigan, remembers what it was like being around the Bonne Bell Ski Team for five years, pitching the brand on campus. “As a young college student working at Bonne Bell part-time, I felt the members of the team were the epitome of cool,” she says. “I loved skiing as a sport and was envious they were getting to ski around the country. I thought to myself, ‘If this is a job, then sign me up.’”

Team member Bettie Simms Hastings, a retired Indiana horse farm owner now living on a ranch near Telluride, remembers, “It was a great job before skiing became so commercial and corporate. It was all fun. How many people are hired to go to different ski areas and be paid to have fun skiing with people?”

She especially liked her Captain America–like outfits and skiing in films by Willy Bogner, Jr. Another highlight was meeting Robert Redford while traveling through the airport in Denver. “He would look you right in the eye while he talked,” she recalls.

Mission accomplished, the ski team was disbanded in the mid-1970s. According to Karin Allen, the promotion saturated its target market. “We expanded to nearly every ski area in North America,” she said. “Our efforts eventually evolved to focus on international sales and the higher volume U.S. cosmetics retail business, which paid the bills.”

Jess Bell died of heart ailments in 2005, at age 80.

Bonne Bell Cosmetics was sold to Markwins Beauty Brands in 2015. Markwins closed the Bonne Bell headquarters, laying off 91 employees, according to Cleveland’s The Plain Dealer (Jan. 30, 2015). Those nostalgic about the brand’s 90-year run can still find Ten-O-Six astringents, moisturizers, and deep-pore cleansers (now known as Formula 10.0.06) on Amazon and at Walmart. Lip Smacker lip gloss and lip balm is sold on Amazon and in Dollar General stores. Lipsmacker.com invites kids to become “Balm Squad” artists.

Bettie Hastings adds, “The independence we had to do the job, the travel, and meeting people at ski areas, skiing everywhere, and having capital F-U-N. I don’t think sales reps today have the same freedom. Younger friends don’t know about the Bonne Bell Ski Team, but I’m proud to still be called a Bonne Bell girl … especially at my age. It was a wonderful chapter in my life.” 

ISHA board member Jeff Blumenfeld, a resident of Boulder, Colo., is president of the North American Snowsports Journalists Association (NASJA.org). He is author of Travel with Purpose: A Field Guide to Voluntourism (Rowman & Littlefield).

Category
Open to Public?
On
Full Access Article for Public

Photo: Robert Doisneau: Maurice Baquet a Chamonix, 1957/Getty Images

Click here to read the full article and listen to the tunes!

Skiers used to yodel and sing about the sport. 

Two boards upon cold, powder snow, yo-ho, what else does a man need to know? goes the refrain of the Tirolean ballad Der Feinste Sport (The Finest Sport).

As a professor of entertainment law at New York University, I’ve taught courses on the relationship of music to history. I’ve also been skiing, all over the world, for some 50 years. It finally occurred to me that while music and skiing have been culturally intertwined for hundreds of years, and ski songs are woven deeply into the fabric of the sport, little has been written about how and why that incredible melding of art and athletics came to be. That, I concluded, is what else a skier needs to know.

The result is a series of online feature articles entitled Sunshine on My Shoulders, crafted specially for members of the International Skiing History Association for their reading and listening pleasure. Links to 200 musical examples illustrate how skiing and music developed side by side from the 19th to the 21st centuries, mirroring momentous times in history.

This project was inspired by conversations with yodeling superstar Klaus Obermeyer at the 2017 Skiing History Week in Aspen. Sunshine traces the long trail of ski song, from Romantic Age composers and Alpine singing groups of the belle epoque, to the musical influence of the Italian mountain soldiers of World War I, and the eventual collapse of the joyous ski heil singing tradition of the German-speaking Alps into a militarized celebration of hate in the 1930s and ’40s.

Of course, it’s not all serious. We cover the hilarious song-parody traditions developed in North America by the Carcajou Ski Club at Dartmouth, the Red Birds of Quebec and, especially, the U.S. 10th Mountain Division. There are stories of Glenn Miller and his “Sun Valley Serenade,” “Ninety Pounds of Rucksack” and “Happy Wanderers”; the great Jo Stafford’s recording of “Moonlight in Vermont”; and the impeccable contributions of John Denver.

The postwar ski boom and folk music explosion, led by singers like Bob Gibson and Ray Conrad, serve as the prelude to music in ski films, from the works of Roger Brown, Dick Barrymore and Greg Stump to mainstream movies such as the Beatles’ Help! and Robert Redford’s Downhill Racer. From Hansi Hinterseer’s Ski Twist franchise to the rebirth of the après-ski sing-along tradition on steroids at the Krazy Kangahruh in St. Anton, it’s all covered. Did we miss something? Add your own musical memories in the comments section.

American lyrical genius Yip Harburg (“Over the Rainbow”) perhaps explained the phenomenon best: “Words make you think a thought. Music makes you feel a feeling. A song makes you feel a thought.” Klaus Obermeyer knows exactly what Harburg was getting at. “Skiing,” he insists after a century on snow, “is just the realization of the ecstasy music strives to inspire.”

 

World-class yodeler Klaus Obermeyer
understands the link between music
and mountains. "Skiing is just the 
realization of the ecstasy music strives
to inspire," he says.

 

It began with yodeling

Aspen’s beloved centenarian, the world-class yodeler and ski apparel legend Klaus Obermeyer, has a theory why skiing and music will always be inextricably linked. “To express feelings as happy as sliding down a mountain through powder snow and sunshine,” he philosophizes through his million-watt smile, “they must be sung. Words alone can’t convey that much joy.”

“Yodeling,” Obermeyer insists, “was the beginning. Absolutely. When skiing became popular, those yodeling tunes were turned into songs about the happiness you feel when you reach the summit and go flying down. Sometimes you yodel out loud, sometimes inside. But we all sing in our own way. That’s the basis of all ski music. It’s yodeling for the pure joy of playing in the snow.”

Mountain troops in World War I

 

Italian Alpini and Austrian ski troops
enjoyed camaraderie in the early days
of World War I -- until Italy declared war
on Austria.

 

World War I came to the Alps in 1914. The Austrian ski-technique pioneer and “father of modern skiing” Hannes Schneider served as a trainer of his nation’s ski troops on the Sud Tirolean front. Many of the men about to face one another in combat had grown up climbing, skiing and singing together in those same mountains. Going into battle against each other would literally pit friend against friend, an eventuality they sought to avoid for as long as possible.

As a result, even after the First World War began in earnest that autumn, the ski heil spirit of camaraderie among mountain troops persisted. That was especially true after Italy declared its neutrality in the struggle between the Western Allies and Russia on one side and Germany, Austria-Hungary and Turkey on the other. Austrian and Italian ski troops on either end of the Dolomite border continued to chat bilingually, trade food and bottles of wine, and drink and sing together. Maintaining a code of fellowship in wartime, however, was simply not possible after Italy joined the Allies in April 1915, and declared war on Austria. That reality was later starkly depicted in German actor-director Luis Trenker’s 1931 mountain film Berge in Flammen (Mountain on Fire), which featured military singing as part of its grueling and dramatic war reenactments.

 

Hannes Schneider arrives in New
Hampshire, February 1939. Left to right:
Herbert, Hannes and Ludwina Schneider
with Harvey Dow Gibson. New England
Ski Museum

 

Austrians in America

[In North Conway, Harvey] Gibson even honored [Hannes] Schneider with a measure of musical revenge against his former captors. When a German diplomat visited the Eastern Slope Inn in 1939, the proprietor told his hotel’s bandleader that he was to play at dinner only music written by “non-Aryan” composers. After a night showcasing the works of George Gershwin, Irving Berlin, Yip Harburg and the expelled German composer and lyricist Kurt Weil (most famous for “Mack the Knife”), the Nazi statesman and his entourage understood the insult and stomped out of the dining room. According to Hannes’ son Herbert, the Schneider family was elated over Gibson’s gesture.

North American drinking songs

Prior to the 1939 arrival in New Hampshire of Hannes Schneider’s ski school in exile, the catalog of American and Canadian ski tunes was limited nearly exclusively to humorous, and sometimes risqué, parodies of popular songs, lyrically transfigured by the members of local college ski teams and winter outing clubs to promote bonding among their members. Here and there were smatterings of German language mountain lyrics and melodies carried home by those few who had skied in Europe, but even those compositions were frequently, tipsily translated into American-ese for local consumption.

The Carcajou Ski Club—founded by veterans of the national champion Dartmouth College Ski Teams and local skiers of Hanover, New Hampshire—was a prime example. The members no doubt did ski together, but the real point of the club, according to the lyrics of its favorite ski songs, was gathering on cold New England evenings to sing parodies until the beer and wine ran out. Even Dartmouth’s most sacred, fraternal hymn, the “Hanover Winter Song,” falls hard into the “drinks by the fire” category of both Ivy League and hardscrabble Northeastern fellowship.

 

87th Mountain Infantry Glee Club, 1942.
Soon to become the 10th Mountain 
Division Chorus. US Army.

 

Ninety Pounds of Rucksack

By far the most enduring tune written for the 10th Mountain Division is its ubiquitous anthem, “Ninety Pounds of Rucksack” (sung to the tune of “Bell Bottom Trousers”). Oddly, however, it is the one 10th Mountain Division song whose provenance is most difficult to trace. Charles McLane was certain that he and Ralph Bromaghin had a strong hand in creating the parody lyrics. Other sources, including The Skier’s Songbook (a revered collection compiled by David Kemp, published in 1950), list the song as “Never Trust a Skier an Inch Above the Knee,” credited to 10th Mountaineers Billy Neidner, Dick Johnson and Don Hawkins. Regardless of

 

Gag poster used an illustration
by Howard Scott, intended for a
USO fundraiser.

 

its various sources and titles, no history of American ski music is complete without devout reference to it, if for no other reason than its unique, life-long popularity among those who came home from war, founded the North American ski industry, and invented a good deal of the post-war skiing culture that it sparked.

Bob Gibson and the folksong revival

 

Folk music star Bob Gibson
released this album in 1959.

 

It was the commencement of a U.S. folk music boom in the late 1950s, coinciding with the explosion in popularity of North American skiing, that created the opportunity for the first real star of American ski music to emerge. His name was Samuel Robert “Bob” Gibson, a Pete Seeger acolyte from Brooklyn who possessed genuine street cred as a leader of the new American folk movement. Gibson’s career included a stint in Aspen, where he fell madly in love with skiing. Leading a double life by commuting between Ajax Mountain and the folk circuit, Gibson managed to become a creditable Colorado downhiller. Meanwhile, he discover and introduce Joan Baez to the world at the 1959 Newport Folk Festival, and become instrumental in getting Judy Collins to sign with him to Jac Holzman’s up-and-coming Elektra Records. He also found time in 1959 to co-write and record the album Ski Songs, containing both original and classic skiing-based compositions mainly performed in the 1930s New England frat-style. The selections were so humorously impressive that (along with his socially conscious “straight” folk performances), they influenced an entire generation of future singer-songwriters. His fans and disciples stretched from The Byrds and Paul Simon (who covered his non-skiing songs) to Collins, Harry Chapin, John Denver and James Taylor. According to Peter Yarrow of Peter Paul & Mary, the New York folk icon who has spent most of his post-folk era life skiing in Telluride, Colorado, “when you listened to us, you were hearing Bob Gibson.”

John Denver’s mountain spirituality

John Denver, who was born in Roswell, New Mexico in 1943, had by the mid-1970s become the living, international symbol of American Rocky Mountain skiing. His top-rated “Rocky Mountain Christmas” TV specials were by then annually drawing audiences of over 60 million viewers to watch him sing and ski, adding yet another dimension of success to both his career and the sport.

By the early 1980s, over thirty of Denver’s songs and albums had already gone gold or platinum around the world. Those hits included skiing and Alpine favorites like “Starwood in Aspen,” the Gibson-esque ecology masterpiece “Eagle and the Hawk,” “Dancing with the Mountain,” “Annie’s Song,” “Song of Wyoming,” “Wild Montana Skies,” “Alaska and Me,” The Gold and Beyond” (which served as the theme of the 1984 Sarajevo Winter Olympics), and the extraordinary ballad “Sunshine on My Shoulders,” (written with Mike Taylor and folk bassist Dick Kniss), which featured what many consider the perfect expression of spiritual generosity that defines the skiing and mountain lifestyles.

Suddenly, in bars lining the roads to every ski area in North America, skiers were mouthing the lyrics to John Denver songs played by guitarists on tiny stages urging the crowd to sing out louder. It wasn’t quite the same as the [fireside singing of the] old days, but it was a reasonable facsimile. Ski music sing-alongs in the traditional sense hadn’t returned, but the spirit of celebrating a great day on the slopes with a beer, friends and a sentimental song of the mountains was certainly reborn. 

Charlie Sanders is a director of ISHA and the U.S. Ski and Snowboard Hall of Fame and serves on the advisory board of Protect Our Winters. He is author of the award-winning book Boys of Winter: Life and Death in the U.S. Ski Troops During the Second World War, and of “Skiing the Seven Continents” (Skiing History supplement, 2020).

Feature Image Media
Image
Timestamp
Author Text
By Charlie Sanders

Photo: Robert Doisneau: Maurice Baquet a Chamonix, 1957/Getty Images

Click here to read the full article and listen to the tunes!

Skiers used to yodel and sing about the sport. 

Two boards upon cold, powder snow, yo-ho, what else does a man need to know? goes the refrain of the Tirolean ballad Der Feinste Sport (The Finest Sport).

As a professor of entertainment law at New York University, I’ve taught courses on the relationship of music to history. I’ve also been skiing, all over the world, for some 50 years. It finally occurred to me that while music and skiing have been culturally intertwined for hundreds of years, and ski songs are woven deeply into the fabric of the sport, little has been written about how and why that incredible melding of art and athletics came to be. That, I concluded, is what else a skier needs to know.

The result is a series of online feature articles entitled Sunshine on My Shoulders, crafted specially for members of the International Skiing History Association for their reading and listening pleasure. Links to 200 musical examples illustrate how skiing and music developed side by side from the 19th to the 21st centuries, mirroring momentous times in history.

This project was inspired by conversations with yodeling superstar Klaus Obermeyer at the 2017 Skiing History Week in Aspen. Sunshine traces the long trail of ski song, from Romantic Age composers and Alpine singing groups of the belle epoque, to the musical influence of the Italian mountain soldiers of World War I, and the eventual collapse of the joyous ski heil singing tradition of the German-speaking Alps into a militarized celebration of hate in the 1930s and ’40s.

Of course, it’s not all serious. We cover the hilarious song-parody traditions developed in North America by the Carcajou Ski Club at Dartmouth, the Red Birds of Quebec and, especially, the U.S. 10th Mountain Division. There are stories of Glenn Miller and his “Sun Valley Serenade,” “Ninety Pounds of Rucksack” and “Happy Wanderers”; the great Jo Stafford’s recording of “Moonlight in Vermont”; and the impeccable contributions of John Denver.

The postwar ski boom and folk music explosion, led by singers like Bob Gibson and Ray Conrad, serve as the prelude to music in ski films, from the works of Roger Brown, Dick Barrymore and Greg Stump to mainstream movies such as the Beatles’ Help! and Robert Redford’s Downhill Racer. From Hansi Hinterseer’s Ski Twist franchise to the rebirth of the après-ski sing-along tradition on steroids at the Krazy Kangahruh in St. Anton, it’s all covered. Did we miss something? Add your own musical memories in the comments section.

American lyrical genius Yip Harburg (“Over the Rainbow”) perhaps explained the phenomenon best: “Words make you think a thought. Music makes you feel a feeling. A song makes you feel a thought.” Klaus Obermeyer knows exactly what Harburg was getting at. “Skiing,” he insists after a century on snow, “is just the realization of the ecstasy music strives to inspire.”

 

World-class yodeler Klaus Obermeyer
understands the link between music
and mountains. "Skiing is just the 
realization of the ecstasy music strives
to inspire," he says.

 

It began with yodeling

Aspen’s beloved centenarian, the world-class yodeler and ski apparel legend Klaus Obermeyer, has a theory why skiing and music will always be inextricably linked. “To express feelings as happy as sliding down a mountain through powder snow and sunshine,” he philosophizes through his million-watt smile, “they must be sung. Words alone can’t convey that much joy.”

“Yodeling,” Obermeyer insists, “was the beginning. Absolutely. When skiing became popular, those yodeling tunes were turned into songs about the happiness you feel when you reach the summit and go flying down. Sometimes you yodel out loud, sometimes inside. But we all sing in our own way. That’s the basis of all ski music. It’s yodeling for the pure joy of playing in the snow.”

Mountain troops in World War I

 

Italian Alpini and Austrian ski troops
enjoyed camaraderie in the early days
of World War I -- until Italy declared war
on Austria.

 

World War I came to the Alps in 1914. The Austrian ski-technique pioneer and “father of modern skiing” Hannes Schneider served as a trainer of his nation’s ski troops on the Sud Tirolean front. Many of the men about to face one another in combat had grown up climbing, skiing and singing together in those same mountains. Going into battle against each other would literally pit friend against friend, an eventuality they sought to avoid for as long as possible.

As a result, even after the First World War began in earnest that autumn, the ski heil spirit of camaraderie among mountain troops persisted. That was especially true after Italy declared its neutrality in the struggle between the Western Allies and Russia on one side and Germany, Austria-Hungary and Turkey on the other. Austrian and Italian ski troops on either end of the Dolomite border continued to chat bilingually, trade food and bottles of wine, and drink and sing together. Maintaining a code of fellowship in wartime, however, was simply not possible after Italy joined the Allies in April 1915, and declared war on Austria. That reality was later starkly depicted in German actor-director Luis Trenker’s 1931 mountain film Berge in Flammen (Mountain on Fire), which featured military singing as part of its grueling and dramatic war reenactments.

 

Hannes Schneider arrives in New
Hampshire, February 1939. Left to right:
Herbert, Hannes and Ludwina Schneider
with Harvey Dow Gibson. New England
Ski Museum

 

Austrians in America

[In North Conway, Harvey] Gibson even honored [Hannes] Schneider with a measure of musical revenge against his former captors. When a German diplomat visited the Eastern Slope Inn in 1939, the proprietor told his hotel’s bandleader that he was to play at dinner only music written by “non-Aryan” composers. After a night showcasing the works of George Gershwin, Irving Berlin, Yip Harburg and the expelled German composer and lyricist Kurt Weil (most famous for “Mack the Knife”), the Nazi statesman and his entourage understood the insult and stomped out of the dining room. According to Hannes’ son Herbert, the Schneider family was elated over Gibson’s gesture.

North American drinking songs

Prior to the 1939 arrival in New Hampshire of Hannes Schneider’s ski school in exile, the catalog of American and Canadian ski tunes was limited nearly exclusively to humorous, and sometimes risqué, parodies of popular songs, lyrically transfigured by the members of local college ski teams and winter outing clubs to promote bonding among their members. Here and there were smatterings of German language mountain lyrics and melodies carried home by those few who had skied in Europe, but even those compositions were frequently, tipsily translated into American-ese for local consumption.

The Carcajou Ski Club—founded by veterans of the national champion Dartmouth College Ski Teams and local skiers of Hanover, New Hampshire—was a prime example. The members no doubt did ski together, but the real point of the club, according to the lyrics of its favorite ski songs, was gathering on cold New England evenings to sing parodies until the beer and wine ran out. Even Dartmouth’s most sacred, fraternal hymn, the “Hanover Winter Song,” falls hard into the “drinks by the fire” category of both Ivy League and hardscrabble Northeastern fellowship.

 

87th Mountain Infantry Glee Club, 1942.
Soon to become the 10th Mountain 
Division Chorus. US Army.

 

Ninety Pounds of Rucksack

By far the most enduring tune written for the 10th Mountain Division is its ubiquitous anthem, “Ninety Pounds of Rucksack” (sung to the tune of “Bell Bottom Trousers”). Oddly, however, it is the one 10th Mountain Division song whose provenance is most difficult to trace. Charles McLane was certain that he and Ralph Bromaghin had a strong hand in creating the parody lyrics. Other sources, including The Skier’s Songbook (a revered collection compiled by David Kemp, published in 1950), list the song as “Never Trust a Skier an Inch Above the Knee,” credited to 10th Mountaineers Billy Neidner, Dick Johnson and Don Hawkins. Regardless of

 

Gag poster used an illustration
by Howard Scott, intended for a
USO fundraiser.

 

its various sources and titles, no history of American ski music is complete without devout reference to it, if for no other reason than its unique, life-long popularity among those who came home from war, founded the North American ski industry, and invented a good deal of the post-war skiing culture that it sparked.

Bob Gibson and the folksong revival

 

Folk music star Bob Gibson
released this album in 1959.

 

It was the commencement of a U.S. folk music boom in the late 1950s, coinciding with the explosion in popularity of North American skiing, that created the opportunity for the first real star of American ski music to emerge. His name was Samuel Robert “Bob” Gibson, a Pete Seeger acolyte from Brooklyn who possessed genuine street cred as a leader of the new American folk movement. Gibson’s career included a stint in Aspen, where he fell madly in love with skiing. Leading a double life by commuting between Ajax Mountain and the folk circuit, Gibson managed to become a creditable Colorado downhiller. Meanwhile, he discover and introduce Joan Baez to the world at the 1959 Newport Folk Festival, and become instrumental in getting Judy Collins to sign with him to Jac Holzman’s up-and-coming Elektra Records. He also found time in 1959 to co-write and record the album Ski Songs, containing both original and classic skiing-based compositions mainly performed in the 1930s New England frat-style. The selections were so humorously impressive that (along with his socially conscious “straight” folk performances), they influenced an entire generation of future singer-songwriters. His fans and disciples stretched from The Byrds and Paul Simon (who covered his non-skiing songs) to Collins, Harry Chapin, John Denver and James Taylor. According to Peter Yarrow of Peter Paul & Mary, the New York folk icon who has spent most of his post-folk era life skiing in Telluride, Colorado, “when you listened to us, you were hearing Bob Gibson.”

John Denver’s mountain spirituality

John Denver, who was born in Roswell, New Mexico in 1943, had by the mid-1970s become the living, international symbol of American Rocky Mountain skiing. His top-rated “Rocky Mountain Christmas” TV specials were by then annually drawing audiences of over 60 million viewers to watch him sing and ski, adding yet another dimension of success to both his career and the sport.

By the early 1980s, over thirty of Denver’s songs and albums had already gone gold or platinum around the world. Those hits included skiing and Alpine favorites like “Starwood in Aspen,” the Gibson-esque ecology masterpiece “Eagle and the Hawk,” “Dancing with the Mountain,” “Annie’s Song,” “Song of Wyoming,” “Wild Montana Skies,” “Alaska and Me,” The Gold and Beyond” (which served as the theme of the 1984 Sarajevo Winter Olympics), and the extraordinary ballad “Sunshine on My Shoulders,” (written with Mike Taylor and folk bassist Dick Kniss), which featured what many consider the perfect expression of spiritual generosity that defines the skiing and mountain lifestyles.

Suddenly, in bars lining the roads to every ski area in North America, skiers were mouthing the lyrics to John Denver songs played by guitarists on tiny stages urging the crowd to sing out louder. It wasn’t quite the same as the [fireside singing of the] old days, but it was a reasonable facsimile. Ski music sing-alongs in the traditional sense hadn’t returned, but the spirit of celebrating a great day on the slopes with a beer, friends and a sentimental song of the mountains was certainly reborn. 

Charlie Sanders is a director of ISHA and the U.S. Ski and Snowboard Hall of Fame and serves on the advisory board of Protect Our Winters. He is author of the award-winning book Boys of Winter: Life and Death in the U.S. Ski Troops During the Second World War, and of “Skiing the Seven Continents” (Skiing History supplement, 2020).

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Jay Cowan

Major storms and massive snow years are the stuff of every skier's dreams. And access-road nightmares.

Photo above: Clearing Chinook Pass, elevation 5,430 feet (1,635m), in Mt. Rainier National Park, Washington, in 2011. Photo courtesy Mt. Rainier National Park.

It was President’s Day weekend of 2021 before Alta shook off a snow slump with an active weather pattern that dumped most of the weekend, eased slightly, then entered another cycle. Highway officials closed the road to Snowbird and Alta at midnight for avalanche control work. At Alta, the town marshal ordered an “interlodge,” confining all residents and guests indoors until avalanche work had been completed. That inconvenience is a powder skier’s dream, because it guarantees first tracks when the siege ends.


Heavy work with the snowblower during
interlodge lockdown at Alta, Utah,
February 2021. Alta Ski Area.

Ten more inches (25cm) fell between midnight and 8:00 a.m., then a natural slide around 10 a.m. took out Highway 210 and the Bypass Road between Alta and the Bird, and everyone stayed locked down for another day and night. On Wednesday more avalanches buried 210 under 14 feet (4.2 meters) of snow and debris, and swept a snowplow and snowcat off the Seven Sisters area of the highway. Luckily, no one was hurt.

Sixty hours after it began, Alta’s longest interlodge ever (they’ve been doing it since at least 1975) ended early Thursday morning. The road was still closed, but lifts opened at 11:00 a.m. The 65 inches of fresh snow since the lockdown started was untouched, and no one from the outside world could get there for hours. It’s what locals call a Country Club day, for one of powder skiing’s most exclusive clubs. But it had come with a price, making it the perfect symbol of all the good and bad that happens when ski resorts get buried.


Digging out at Sugar Bowl, California, in
February 2019. The resort gets snow
blown over the top from the American
River Canyon. Sugar Bowl Resort.

Most ski areas have kept fairly consistent snowfall records since lift planning began. Snowstake readings are notoriously unreliable, but some records are certified by national weather services. For instance, in the United States, the National Oceanic and Atmospheric Administration (NOAA) says that the largest single-storm dump in the United States (and possibly in the world) occurred in 1959, in the Cascades of northern California. Mt. Shasta Ski Bowl recorded 189 inches (4.8m) over a seven-day period. Mount Shasta City, 4,000 feet (1,200m) lower, reported 33 inches (84cm) during the first day of the storm. Locals considered this normal.

It wasn’t normal for the ski area, because it was its first year of operation. The Ski Bowl had just opened a double chairlift on the southern flank of 14,179-foot Mount Shasta, with a base lodge at 7,850 feet. The storm rolled in on February 13 and over the week delivered nearly 16 feet—27 inches (70cm) per day.


Architecture at Donner Pass, California,
provides an upper-level entry. Sometimes
it's not high enough.

The skiing must have been insane, the kind of godsend that could mint a new ski area’s reputation. But heavy snow brought problems, too: In January 1978, an avalanche wiped out the original lift, closing the Ski Bowl for good. Mt. Shasta Ski Park, opened in 1985, was sited 2,300 feet (700m) lower.

1993 and the Storm of the Century

Big storms and big snow years often concentrate on one region, but occasionally a winter comes along that crushes the whole country. It happened in the spring of 1993, when the “Storm of the Century” capped what was already a record season.

That year, Oregon’s Mount Bachelor would tally its second snowiest year on record with over 600 inches (15m), compared to its healthy annual average of 462 (11.7m). The Sierras picked up nine feet (2.7m) between Christmas and New Year’s Day, effectively barricading a huge chunk of Heavenly Valley’s holiday business. At Mammoth, it snowed three feet on the last night of September. The area opened on October 8 and closed for skiing in mid-August—an amazing season for a non-glacier-based resort. The downside included numerous gas line ruptures, explosions and fires because people couldn’t keep their propane tanks and lines clear of the snow weight.

At Squaw Valley locals savored every minute. The resort stayed open all year for the first time ever, keeping the Bailey’s Beach lift running through the summer until opening day in the fall. “Everyone had a great old time skiing all the new runs in the trees when the passes and the upper mountain were closed,” said then-local Seth Masia. “National Chute, on Palisades where Warren Miller films a lot, normally has an 8- to 10-foot drop (3m) at the entrance. Even on a good winter. That year you just skied in.”


Top, C1 lift midstation at Mt. Baker, Washington, winter 1998. Bottom, same place midsummer. Mt. Baker Ski Area.

In Park City, Utah, the booming real estate market took a hit in January of ’93 because the weather was so consistently stormy no one wanted to go out and look at property. Crews had to dig out the Jupiter Bowl lift in several places before closing on April 15 with more snow than there’d been all season. And there was plenty: over 42½ feet, 7 feet more than the previous record.

One day in March Little Cottonwood Canyon had five avalanches, and Alta ended the season with a heroic 650.4 inches total compared to a remarkable average of 497 inches over its 82-year history.

In the Rockies, Jackson, Wyoming’s daunting Corbet’s Couloir got more traffic than ever before, due to what locals described as “the lessened fear factor” from the much shorter entry drop. And Big Sky, Montana, opened its steep Challenger Lift earlier than ever before, on Thanksgiving.

Colorado also got blitzed in early November when Aspen had more than double its average snowfall for the month and opened weeks earlier than it ever had. Winter Park got a quick 6½ feet (2m) that month and was able to open its new Parsenn Bowl on November 18 (with face shots up high) instead of in mid-January as anticipated. For the rest of ’93, Keystone got seven feet (2.1m) in February and promptly extended their closing date “indefinitely.” Statewide snow totals didn’t end up setting records, but most resorts reported an abundance of big powder days.

It wasn’t all glad tidings. In Durango, Colorado—a town well-accustomed to winter—the hardware stores ran out of snow shovels on January 14. More were flown in from Denver, but on the night of January 19, the roof of the empty Fort Lewis State College auditorium collapsed under the weight of snow that couldn’t be removed in time.

“Bad news for the college, good news for skiers,” Mike Smedley, media relations director at nearby Purgatory, told SKI Magazine after the blizzard. “As soon as that story hit the wire, our business shot up. People figured we must be buried and we were. There were days when we had 22 inches of new snow and less than a thousand skiers on the mountain.”

In Taos, New Mexico, General
Manager Mickey Blake told SKI he couldn’t remember the last time he’d seen the snowbanks as high along their roads, and his plow crews had run out of places to put it.

New England Buried

The ’92-’93 season started with a bang in New England when one of the most brutish nor’easters in history assaulted the Atlantic seaboard, handing Killington, Vermont, its earliest opening (Oct. 1) in 31 years. The weather turned mild in December, then rebounded in February when Vermont got anywhere from 6 to 11½ feet (2m to 3.5m) of snow and 98 percent of the state’s ski terrain was open for the first time in years.

Beginning March 11 and 12, an arctic high-pressure system formed over the Midwest at the same time an extra-tropical low-pressure front built over the Gulf of Mexico. The Storm of the Century was the cyclonic result of their collision over an enormous sweep of the country, from the Deep South to New England. It dumped up to 3½ feet (2.3m) on March 12 and 13. Okemo reported record base depths, and Killington went into April with the most skiing in its 35-year history.

“Sugarbush was incredible,” SKI contributor Dana Gatlin reported. “Doug Lewis [U.S. ski racer] told me he was born there and had never seen it like that.” The resort kept the steep and rugged Castle Rock area opened for two months on natural snow, which hadn’t happened since the ’70s. “And traffic in town slowed to a crawl because no one could see over the snowbanks at intersections.”

Writer David Goodman reported much the same thing from Stowe. “I’ve never seen conditions like it. The ‘Storm of the Century’ was a skier’s blizzard because it was on a Saturday evening. Stowe got two feet and only one lift was running on Sunday. There was hardly anyone on the mountain because no one wanted to venture out. We hiked to runs like Lookout Trail, that hadn’t been opened in a decade.”

Regional Records

The Pacific Northwest routinely ranks as one of the continent’s snowiest areas. One reason is because the region is visited by “extra-tropical cyclones,” with high winds and big snow that knock out power and bring highways, airports and trains to a standstill. During one three-day La Niña–inspired pounding in January 2012, parts of Oregon got 50 inches (1.3m) of snow.

Mount Baker averages 662 inches (16.8m), arguably the most in the Lower 48. In 1998-99 they got a positively freakish, world-record 1,140 total inches (29m) and were open for the entire year.

Whistler, British Columbia, gets a 448-inch (11.4m) annual average. Like Mount Baker, in 1998-99 the resort got walloped, scoring 644 inches (16.4m).

Powder magazine editor Leslie Anthony commuted there that winter from his home in Toronto. “Records are nice and all, but what’s it like to ski during a winter of endless snowfall? Pretty freakin’ great. Glorious even,” he recalls. “Like the hyenas gorging on a dead elephant that skiers resemble when it comes to powder, day after day after day of a foot or more of snow meant skiing bell to bell day after day after day—until you simply couldn’t do it anymore. And with the highway frequently closed, locals had a lot of it to themselves. After 22 years living here now, I have yet to see people take days off to rest their legs the way they did that winter.”

Whether you count it as part of the Pacific Northwest or as a region all its own, Alaska is home to one of America’s snowiest ski areas: Alyeska. The resort averages 669 inches (17m) at the summit, where it received a record 978 inches (24.8m) in 2011-12. Alaskan backcountry and heliski destination Thompson Pass reported an American record–setting 78 inches (2m) in 24 hours in 1963.

California has been racking up absurd amounts of snowfall since accounts have been kept, like the suffocating 32½ feet (9.9m) in a month in 1911 at Tamarack, near what’s now the Bear Valley ski area. In 1982 Donner Summit reported 87½ inches (2.2m) in a single two-day storm. Squaw Valley’s season record stands at 728 inches (18.5m) in 2016-17. Mammoth posted 668.5 (17m) inches for 2010-11.

Utah’s Wasatch Range is legendary for big storms moving in from the West Coast with crazy amounts of moisture and passing across a desert and then the Great Salt Lake before slamming into the mountains and releasing everything. Alta averages 551 inches (14m) but in 1994-95 posted 745.4 inches (19m).

In 1921, Silver Lake, Colorado, near St. Mary’s Glacier, got 75.8 inches (1.9m) in 24 hours out of a system that delivered another foot (30cm) over the next few hours.

New England’s snowfall king remains Jay Peak, claiming an average 355 inches (9m), and topping 513 inches (13m) in 2000-01. Stowe has been tracking snowfall on lift-served slopes since 1933, and claims an average 314 inches (8m). The record came in 2000-01 at 432 inches (11m). Locals say mountain operations are rarely stymied by storms, ’93 notwithstanding. However, as Town Manager Charles Safford notes, they have only one road in and, “We occasionally have a car that can’t make it up Harlow Hill, blocking traffic.” It doesn’t happen often or for long, but when it does it can mean that those already on the mountain have it all to themselves for a few hours.

Which sums up the divine dilemma of snow dumps: When the weather’s really bad for normal people, the skiing is delightful. If you can get to it. 

Jay Cowan’s last piece for Skiing History was the story of the X-Games (January-February 2021).

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Maurice Woehrlé

Archaeology and DNA evidence support the theory that skiing arose east of the Baltic, at the end of the last Ice Age.

Translated by Seth Masia

Photo above: The author proposes that skiing began between the Baltic and the Urals, in the gray oval containing all the archaeological sites that have yielded “fossil” skis. Skiing tribes then migrated north and west into Scandinavia, and eastward, up the Ob and Yenisei river valleys to the Altai region and beyond. Millennia later, the migration reversed, as Asian tribes moved west across the steppes and along the Arctic coast.

Where and when was skiing invented? In 1888, Fridtjof Nansen theorized that it was invented in prehistoric times in southern Siberia, in the region between Lake Baikal and the Altai Mountains. From there, he wrote, it spread with migrating tribes to the rest of Siberia and Europe. But archaeological sites in European Russia and recent DNA evidence suggest strongly that skiing began in the Baltic region, at the close of the last Ice Age.


Archaeological sites west of the Ural mountains have revealed the oldest skis and sleds in the world. Ristola, Finland, is at Point 3; Heinola at Point 4; Vis, Russia, at Point 15. Burov.

While writing his book On Skis Across Greenland, Nansen asked his friend Andreas M. Hansen, a curator of the University Library in Christiania (today Oslo), to research the origin of the words for “ski” used by the peoples of northern Eurasia. This was probably the first linguistic study specific to skis. Nansen found Hansen’s report very curious. One surprise was to find the Finnish word suksi in much of Siberia.

In the middle of the 19th century, the Finnish linguist Matias Aleksanteri Castrén advanced the concept of a large Ural-Altaic language family, including the Finnish languages and languages spoken by the Tungus and Manchus, plus the Turks and Mongols. He located its birthplace in the Altai region. This concept could explain why the Samoyeds, who came from southern Siberia, spoke languages related to Finnish. The Ural-Altaic theory is now abandoned, but that was the dominant view in the 1880s and may have influenced the Hansen/Nansen linguistic theory.

Hansen reported that variations of the root word suk appear in the languages of the Baltic Finns and the Evenki peoples of Eastern Siberia and China, all the way to the Pacific. In Chapter Three of On Skis Across Greenland, Nansen wrote that both groups—along with the Samoyed tribes—originally were close neighbors in the Baikal-Altai region and migrated from there to the east, north and west. They traveled on skis and sleds. Nansen supposed that Scandinavian people learned to ski from Finns and Saami migrating from the east.

The Swedish historian and linguist Karl Wiklund (1868-1934) emphatically questioned the validity of Hansen’s study. The Norwegian linguistics professor Arnold Dalen, in 1996, did not reject Nansen’s hypothesis outright but found it most likely unverifiable. These reservations have not deterred wide repetition [of the Hansen/Nansen theory], and down the years the concept of a “Siberian cradle” is today set in stone.


The final stages of the last Ice Age saw glacial ice
covering Scandinavia (1), shrub-covered tundra (2) and a temperate belt of grassland and conifers (3). As the climate warmed, tribes migrated from the western and eastern ends of this region to create the Kunda culture south and east of the Baltic. Djindjian, Kozlowski, Otte.

(Translator’s note: In 1888, Hansen was a respected and influential geologist, but only an amateur philologist. His doctoral dissertation in geology focused on ancient shorelines and demonstrated that sea level rise and fall since the last Ice Age was a useful marker for determining the age of archaeological sites. He accurately placed the end of the last glaciation at between 11,000 and 9,000 years ago; and his ideas about the role of crustal “drift” were prescient. Nansen adopted Hansen’s geological ideas in his own studies of Greenland and Arctic geology. Hansen would go on to notoriety as an advocate of a racial theory of the Norwegian population that anticipated “Master Race” ideology.)

Origin of the Saami and Finns

According to Finnish anthropologist Markku Niskanen, Nansen’s contemporaries believed, on weak evidence, that Finnish-speaking Europeans, and especially Saami, were of Asian origin. Genetic studies have shown this to be wrong. Studies by geneticists Kristiina Tambets and Antonio Torroni show that the Saami come from the merger of two populations originating in Western and Eastern Europe. Specifically, the Saami are cousins of the Basques, merged with genes from the Proto-Finns of Eastern Europe. All Finns belong to European genotypes.

As Ice Age glaciers began to retreat during the warm Bølling–Allerød interstadial, about 15,000 to 13,000 years ago, tribes migrated north. One population left the ice-free Franco-Cantabrian region in the southwest [today’s Aquitaine and Basque country]. Another moved northwest from what is now Ukraine. The two groups met on the southern shore of the Gulf of Finland and around 10,000 years ago created the Kunda culture.

The Meaning of Migration

This is the starting point for Nansen’s error. He was correct to think that the word suksi had traveled between Siberia and Europe, but he was wrong about the direction it took. Archaeological and genetic evidence, consolidated in work by Russian expert Yakov A. Sher, now strongly suggests that the direction of migrations, from the Neolithic to the Bronze Age, was mainly from west to east, before reversing. Andrey Filchenko, of Nazarbayev University in Kazakhstan, mentions the presence in the Sayan region of ethnic groups of Finno-Ugrian origin, who came from northwestern Siberia and the Urals. They are known to historians as the Samoyed of the Sayan. The presence in southern Siberia of other Europoid populations prior to our era is otherwise firmly established.

The definite reversal of the direction of migration took place at the start of the Iron Age, when Asian nomadic hordes began to ravage the great Eurasian steppe that runs from Mongolia to the Carpathian Basin. The arrival of their avant-garde in Europe is dated by French archaeologist Michel Kazanski to the victory of the Huns over the Goths in the year 375. By this time, skiing had already existed in Europe for about 8,000 years.

(Translator’s note: Genomic research published in 2018 by Thisius Laminidis et. al. suggests that a Siberian migration entered the Saami/Finnish gene pool “at least 3,500 years ago.” By that time the Saami had been skiing for five millenia.)


Grigory Burov found this ski, 
about 9,300 years old, at Vis in
1985. Carved from the trunk of
a tree, it was about 150mm
wide. Burov.

The Cradle of Skiing Is European

The arguments in favor of this thesis are archaeological, geographic and cultural.

The oldest skis we know of come from west of the Urals: from the Vis peatbog near Lake Sindor, 800 miles northeast of Moscow, and even farther west, from the Nizhneje Veretje site, 200 miles north of Moscow (the skis found here have been little studied but are of comparable age—about 9,250 years old). Archaeological finds, including sled runners, show that these two prehistoric settlements belonged to a larger group. According to Russian archaeologist Grigory Burov, who led the Vis digs, the culture “was probably linked to Baltic cultures (Suomusjärvi, Kunda) and to sites located between the Baltic and northeast Europe (Veretje).”

In addition, it’s very likely that skiing was practiced in southern Finland around 10,000 years ago. I asked Finnish archaeologist Hannu Takala and Grigory Burov for advice on this. Their response is quite clear: Takala wrote, “It is certain that the first settlers who came to Finland at least had wooden sleds since we have the Heinola sled [10,000 years old]. They probably knew about skis, although we have not yet discovered any, but finds from Russia show this possibility.”


The oldest snow-sliding implement yet found is this sled runner from Heinola, Finland, which is about 10,000 years old and was carved from the heart of a tree. It measures 246cm long and 115mm wide. The front of the runner points to the left; holes in the tip and near the tail were used to lash runners together to form a sled. Burov.

And Burov responded: “We can assume that skis were known and used by the people of Ristola, Finland. The Heinola sled runners are similar to those at the Vis site. This similarity can prove that relations existed between Finland and northern European Russia, and that in Finland they used Vis and Veretje skis.”

The geography of the eastern Baltic offered good conditions for the invention of skiing. According to Polish archaeologist Zofia Sulgostowska, in the Preboreal (11,500 to 10,000 years ago), the Kunda and neighboring cultures lived on low plains dotted with ponds, lakes and gentle streams, offering in winter immense flat surfaces. The southeast Baltic was home to pine and birch forests. These conditions were very favorable to the systematic use of canoes in summer and sleds in winter.


Fragment of a Heinola-type sled
runner unearthed at Vis. Burov.

From there skiing would have spread to similar terrain in neighboring Finland, Karelia and part of Lapland. Most of Finland is covered with lakes. Similarly, on the other side of the Urals, the land of the Khantys contains vast marshes, with many lakes and rivers.

Cultural conditions were also conducive to innovation. Archeology shows that the Mesolithics were particularly mobile, adventurous and inventive. The peculiar landscape of the eastern Baltic could only push them to develop new means of travel. The manufacturing sequence of the canoe, to the sled, to harnessing dogs, to skiing was easily within reach.

We can hypothesize on the date of the invention of skiing by first relying on the manufacturing process. We have seen that the skis and sled runner of Vis were carved from tree trunks, in the same way as dug-out canoes. Skis manufactured using this process were necessarily heavier and more fragile than skis made by bending planks. They certainly knew how to bend wood sticks with heat. We can suppose that they still used the carved-log process because the transition from sledge runner to ski was very new at this time.

The Start of Skiing in Siberia

East of the Urals, the oldest evidence we have are sled runners, which we know were in use by 7,000 years ago. Ski expeditions up the ice-covered waterways to Lake Baikal are plausible at that point. The Russian archaeologist G.M. Vasilevich concludes that the Tungus probably lived south of Lake Baikal in the Mesolithic, and it’s reasonable to conclude that Finno-Ugrians from the northwest brought skiing here first, along with their word suksi. As we’ve seen, the word suksi has been preserved in the Tungus-Manchu languages, specifically among the Evenki, who transmitted it to eastern Siberia.


Skis from Kalvtrask, Sweden, 204cm long
and 155mm wide, are about 5,200 years old. Toe
bindings laced through four holes drilled in the center. Åström and Norberg.

The oldest Siberian stone engravings of skiers are believed to be around 7,000 years old, but stone engravings cannot be carbon dated so their ages are notoriously difficult to estimate.

The four-hole ski-binding system tells us a little more. Skis with foot-plate and mortise, invented by the Saami in the Bronze Age, are carbon-dated to 3,400 years ago with the Høting (Sweden) ski. That design has never been found in Siberia, except in the Arctic trading post Mangazaya [founded 1600 AD].

After thousands of years of skiing in Siberia, one might expect to find more actual skis, or parts of skis. Apart from the unusual case of the Mangazaya skis, there are none. Not having been preserved in peat bogs as in Scandinavia, they have rotted or ended up as firewood. 

This article is condensed from the final chapters of the ISHA Award-winning book Les Peuples du Ski: 10,000 ans d’histoire, by Maurice Woehrlé; Books on Demand, 2020. Engineer and skier Maurice Woehrlé ran Rossignol’s race-ski development for four decades, beginning with the Strato.

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Patrick Thorne

When there isn’t enough snow outside, skiers have headed inside for nearly a century.

With trainloads of a mixture of sawdust, soda crystals and mica used to mimic snow, the first indoor ski center in Europe opened in 1927 in Berlin and helped launch the early era of indoor skiing (photo top of page).


Opened in 2005, Ski Dubai offers the
first indoor black diamond run, a quad
lift, toboggan runs, and penguins.
Photo: Ski Dubai

Though Ski Dubai is frequently considered the cradle of indoor skiing, by the time of its opening in 2005 the concept was some eight decades old. Legions of people were already skiing indoors in dozens of countries—in some cases on bigger slopes already open in Europe and Japan. These facilities just hadn’t captured the public imagination quite as much as did the engineering miracles of indoor snow in the Dubai desert.

Fast forward to 2021, and we’ve recently passed the 150 mark for indoor-snow centers worldwide. True, there was a blip when the global economic crash of 2008 stopped some of the most ambitious projects of the time—including a 1.2 mile indoor slope proposed for the Middle East. But the past decade has seen more centers built than during the “boom” years of the 1990s. In fact, in the last few years centers have opened in Africa (Ski Egypt), South America (Snowland) and, finally, North America (Big Snow in New Jersey). Big Snow’s opening means that you can now ski indoors on a snowy surface every day of the year on every continent except Antarctica (where, let’s face it, you can ski outdoors every day of the year anyway).

For some that sounds like skiing nirvana: snowy slopes on tap whenever you need them, 365 days a year. For others, it’s a dystopian vision of the future of our sport: not skiing under blue bird skies surrounded by majestic peaks, but rather sliding down modest fall lines under a man-made dome. Or projected forward: Does the ultimate result of climate change and a warming world mean very little natural snowfall and therefore very few functional ski slopes?

It’s just a touch ironic that the massive refrigerators required to produce snow indoors and keep it cold use up a lot of energy, potentially contributing to climate change. But fortunately, that irony is not lost on the companies that build indoor centers. They incorporate energy efficiency to minimize running costs and in some cases cover their vast ski-center roofs with solar panels to generate the power needed to run the facilities. So is the future a utopian world of self-powered eternal indoor-snow centers? Perhaps worldwide statistics already reveal the future. In 2000, there were around 40 glacier ski areas in the European Alps where you could ski in summer and about 50 indoor snow centers. Two decades later, the count of glacier ski areas has dropped by more than half while the number of indoor-snow centers has tripled.

Europe 1920s

The idea of skiing indoors was first conceived in Europe in the mid-1920s. A Brit, Laurence Ayscough, patented something that kind of resembled snow—a mixture of sawdust, soda crystals and mica. This was then spread on top of straw on a sloping surface indoors.


Vienna's Schneepalast, brainchild of 
Dagfinn Carlsen, closed in seven months.

The mixture’s first recorded use was within the Berlin Automobil Halle in Germany where a ski slope 720 feet long (220m) and 66 feet wide (20m) was opened in 1927. Trainloads of Ayscough’s snow mixture were required and government scientists had to approve its safety. The event was a success, and six months later a more permanent facility, the Schneepalast (Snow Palace), complete with an indoor ski jump, was unveiled at the disused Northwest Railway Station in Vienna, Austria.

Norwegian ski jumper Dagfinn Carlsen built the 41,000-square-foot facility, and there was plenty of publicity—though news reports focused on an assassination attempt on Vienna’s mayor after the event. Enthusiasm waned though, as people noted the chemical mixture wasn’t actually very slippery and quickly turned an unappealing yellow. The Snow Palace closed within seven months (see Skiing History, March-April 2019). However, a smaller facility, complete with a mini-ski jump, operated in Paris throughout the 1930s. Its snow had a different chemical mix to Ayscough’s concoction and was spread thinly on a coconut-matting covered slope.

US 1930s, Japan 1950s

The first known attempt to bring something like real snow indoors was not for a public ski facility but for a big show: The Great Indoor Winter Sports Carnival staged at New York’s Madison Square Garden in December 1936.


In 1936, Madison Square
Garden boasted an 85-foot
ski jump, on crushed ice.

Complete with ski jumpers, dog sledders, ski stars from Europe and North America and even clowns on ice, the Carnival’s logistics were startling. An 85-foot high (26m) ski-jump tower had to be built by a team of 100 workers in a matter of days. Madison Square Garden’s thermostat was turned down to 26 degrees, then enough ice was pulverized to cover the 30,000-square-foot area with a snow-like surface. The show ran for four days and nights and attracted 80,000 spectators. Boston and London hosted their own Winter Carnivals in 1937 and 1938, with similar attendance success.

A related concept for indoor snow creation, but this time intended for more long-term use, appeared in Japan two decades later. Businessmen in the small city of Sayama, about an hour outside of Tokyo, hit on a way of extending the season. This time ice was trucked in from the mountains, again crushed to a “snow-like” material and spread on a 1,065-foot (320m) indoor slope. The Sayama indoor ski center opened in 1959 and is the oldest snow slope under a roof still operating. The snow surface is now made by snowmaking machines rather than hauled in by truck.

Australia, Europe and Japan, 1980s

The modern era of indoor skiing began in the mid-1980s when young Australian ski fanatic Alfio Bucceri created what he christened Permasnow.

In 1984, at the age of 28, Bucceri went skiing for the first time in Australia, was hooked and wanted to create the same experience in his home city, tropical Brisbane, 930 miles from the nearest snow. “I loved eating jelly as a child, and the Permasnow idea came from the thought of making small particles of jelly then freezing them. I studied ice rink technology and found that jelly crystals would freeze on frozen pipes at plus temperatures. Finally, I found the right safe chemical to use [a water-absorbent polymer] from an Australian manufacturer, engaged Queensland University to help and Permasnow was invented,” Bucceri recalls. “Funnily enough, the Japanese call it ‘Jelly Snow.’” Early trials were successful, but it was the Permasnow slope created for the Swiss Pavilion at the 1988 World Expo in Brisbane that attracted global publicity.

The first indoor-snow centers using Permasnow, at Mt. Thebarton in Adelaide and Casablanca in Belgium, opened that same year. Japanese rights were sold to the Matsushita Company, which created more than 20 centers in the 1990s under the Snova name, with some still operating today. Bucceri sold Permasnow in 1991 but remains in the all-weather snow business and developed a non-chemical, all-water snowmaking system that is used worldwide.


$400 million SSAWS, outside Tokyo,
opened in 1993 but closed in 2002.

1990s, Real Indoor Snow

The success of the early indoor-snow centers led several pioneers to work on what, back then, was the holy grail of the concept: pure snow indoors, without chemical additives.

To create true snow indoors is much more difficult than outdoor snowmaking. Dealing with high humidity, constant refrigeration and maintaining the snow when hundreds of people are skiing the same patch over and over are just a few of the many challenges involved.

Several claim to have been the first to achieve it, one of them being Cor Mollin, a former alpine ski racer who started in the indoor skiing trade when he ran the Casablanca ski center in Belgium. He wanted to create Europe’s first indoor-snow slope and had made a four-day trip to the Brisbane World Expo to see Permasnow in action. He decided to license the product.

Back in Belgium, Casablanca was not a success. “The system didn’t work at all. As we had no refrigerated building, the jelly-snow wasn’t slippery and we almost went bankrupt,” Mollin recalls. “I then did research myself, and after a year of trial and error I built my first real snow machine. From that moment on we were successful in the snow business.” He went on to set up his own indoor snow slope, Snow Valley in Peer, Belgium, which remains in operation today and is one of the largest indoor ski halls in Europe.

The 1990s saw Japan and European nations dominate center construction, with ever-larger real-snow facilities in countries like Belgium, Germany, the Netherlands and the UK, all of which traditionally feed the destination ski resorts of the Alps.

Japan developed smaller Snova facilities, with the notable exception of the vast SSAWS (Spring Summer Autumn Winter Snow) indoor center near Tokyo, by far the largest yet seen, with a slope 1,640-feet long (500m) and 328-feet wide (100m). Unfortunately, it opened in 1993 as Japan’s bubble economy burst and it never turned a profit. It eventually closed in 2002, with the site later turned into Japan’s first Ikea store.


Chengdu Sunac Snow World
opens as China strives to put
300 million people on snow
before the 2022 Beijing Olympics.
Photo: Chengdu Sunac.

By 2000, around 50 centers had been built, and the next decade saw a similar number added. The longest slopes yet opened are in Amnéville, France and Bottrop, Germany. Both claim the world record at about 2,100 feet (640m) long.

China has been the dominant force in snow-dome construction over the past decade as the country builds towards the 2022 Beijing Winter Olympics and strives to meet President Xi Jinping’s publicized goal to persuade 300 million people to give snow sports a go.

However, most of the country’s 1.4 billion population don’t live in cold or mountainous areas, so indoor snow is the answer. More than 30 centers have been built, including several of the world’s largest slopes. Some even have indoor trail maps.

Should We Embrace Indoor Skiing?

Indoor snow centers are here to stay. When properly managed and located near a population hub, they’ve proved to be viable. Yet many skiers can’t imagine skiing on a short, moderate slope inside a
giant freezer.

Perhaps they’re missing the point. Indoor-snow centers don’t attempt to replace the mountain experience. Instead, their goal is to entice people around the world to conveniently try a sport they don’t know if they’ll like. No harm in that. 

 

 

 


Long-awaited Big Snow, NJ. Mall
developers hope it will lead to more like
it. Photo: Big Snow

Big Snow. Big Money

New Jersey’s Big Snow epitomizes one key factor in almost all indoor-snow-center developments: They cost an awful lot to build, usually into the hundreds of millions of dollars. Far more centers have been conceived than ever opened. That said, of the 150+ that have now been built over the last 35 years, more than 100 are currently still operational. In that same time period, there have been few high-profile failures like Japan’s SSAWS center.

Big Snow is part of a huge mall complex in New Jersey created by the Mills Corporation, at the time an international leader in mall construction. Mills set to work on its multi-billion-dollar New Jersey project, then named Xanadu, at the turn of the century. Mills was also completing major malls on other continents at the time, including in Madrid, home to another Xanadu indoor-snow center which still operates today.

Big Snow was mostly completed around 2008, just before the global economic crash. Construction stopped, and it remained empty for 11 years before the complex finally began to open at the end of 2019.

Other developers hope that now that there finally is a facility in North America, many more will follow. The giant Triple Five Group that runs the mall where Big Snow is located has plans for a duplicate complex in Florida and the proposed green-energy powered Fairfax Peak in North Virginia.— PT

 

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By Jeff Blumenfeld

Lack of snow deters not the true believer.

Photo above: German sand-skiing speed record holder (nearly 60 mph) Henrik May shows his form on the sands of Namibia.

Snow is unquestionably top of the heap for sliding. Not to get all Poindexter on you, but skis slide easily thanks to a very thin layer of meltwater between the skis and the snow.

So what happens if it doesn’t snow? Or what if it’s one of those three warmer seasons that shall remain nameless? That’s where history has proven skiers will ski on just about anything, especially sand.


Boasting the tallest dunes in North
America, the Great Sand Dunes
preserve has been the hub of U.S. sand
skiing for decades. National Park
Service photo.

For decades, the mecca for sand skiing in the U.S. has been the Great Sand Dunes National Park and Preserve near Alamosa, Colorado, North America’s tallest dunes. Opened in 1932 as a national monument, it became a national park in 2004.

Each fall, ski bums return to Great Sand Dunes to ski or board 34-degree, 742-foot-high dunes in a tradition that, for many, begins the new ski season. One enthusiast tells OutThereColorado.com, “Sand is not as slippery as snow, so it’s like skiing in slow motion. You have to make shallow turns, but it’s definitely real skiing. That’s why we come back every year—because we’re jonesin’ to ski.”

The Great Dunes skier was accurate, if not precise, about the relative slickness of sand vs. snow. To get technical (stay with me here): dry sand has a dynamic coefficient of friction of about .55 compared to snow at about .03—depending on the snow and the ski wax. So sand is about 18 times more resistant to gliding than snow. But if you dampen the sand a bit (just a bit) the coefficient can go down to a range of .3 to .45, depending on the size of the sand grains and how wet the conditions are. Ancient pyramid-builders poured water on desert sand to more easily drag massive sleds. And that’s why savvy sand skiers hit the Great Dunes slopes after a rain.


Great Sand Dunes was declared a
National Monument in 1932, and visitors
grabbed whatever was at hand to start
sliding. Cooking pots were fast enough.
NPS photo.

At the Great Dunes, sandboards can be rented outside the park and are more popular than skis. It seems that while sand doesn’t appear to damage the base of alpine skis, it may dull edges and jam bindings. Sandboard bases, much harder than snowboard bases, are usually treated with paraffin-based wax to reduce friction, and it works like a charm on rain-soaked sand.

Sand skiing in the Colorado desert is not without risk. Great Dunes sand can reach 150 degrees F., lightning can occur at any time during the warmer months, and in high winds, those Covid masks come in handy. Eye protection, long sleeves and pants are helpful to avoid getting sandblasted.

Still, sand is better than other sliding surfaces known to lure skiers.

Members of the Facebook group Elite Skiing report sliding on volcanic ash, pine needles, scree (loose stones), shale, coal slag, carpet, soap flakes, powdered mica, and even gravel and barite mixed with used motor oil. During the heyday of the New York State Borscht Belt in the Catskills, Grossinger’s resort hotel experimented with ground-up collar buttons (see Skiing History, May/June 2020).

For millions of snow-starved Europeans, there’s one word: plastics. So-called dry slopes are part of a cottage industry tracked by Dry Slope News, established in 2018. “People have been skiing on slopes without snow for over a century, but the earliest artificial surfaces manufactured especially for skiing date from the 1950s,” says editor Patrick Thorne.

“Since the first few dry slopes appeared, close to 2,000 have been built in more than 50 countries worldwide. At the height of dry skiing’s popularity in the early 1980s, there were reports of over 300 in Great Britain alone.”

Sand Skiing Gets its Start in Africa

Some 44 countries offer sandboarding today according to Sandboard.com.

Modern sand skiing dates back to 1927 when French athlete, mountaineer, aviator, and journalist Marie Marvingt (1875-1963) combined her careers as a surgical nurse and military aviator, to create aluminum skis for an experimental medevac airplane to land on Saharan sand in Morocco and Algeria (see Skiing History, March-April 2020).

By then a decorated hero of World War I and credited as the world’s first female combat pilot, Marvingt hired a metal shop in her home town of Nancy to forge personal skis from solid aircraft-grade aluminum alloy. She determined metal sand skis were better than wood and certainly better than walking up dunes in sandals, reportedly testing them on sand for 50 miles. One year later, she started a ski school for Berbers, along the snowless Moroccan coast.

Marvingt’s legacy continues in the northern African country. Today, people who engage in guided ski touring on the snows of Mount Toubkal or take advantage of the lift service at Oukaimeden in the rugged High Atlas Mountains in southwestern Morocco, also head a few hours southeast to the edge of the Sahara Desert to sand ski or sandboard for bragging rights.

Four thousand miles farther south, in Namibia, the German-born Henrik May, 45, has been pioneering the sport of sand skiing for two decades, according to Powder magazine (July 2013). There, the Namib Desert is home to some of the largest dunes in the world, thousands of miles from the nearest snow.

May’s company, Ski Namibia (ski-namibia.com), is one of the very few dune ski-specific operations in the world and has been featured by NBC’s Today Show and the CBS reality show, The Amazing Race. He started his touring company in 2003 and since then has logged thousands of ski descents. He set a Guinness world speed record in 2010, reaching 92.12 km/h (57.24 mph) on sand. He introduced Wustenskisport, or dune skiing, to the internet with guided runs usually between 200 to 400 vertical feet after climbs of around 20 minutes.


Charles Pierpont, of the Cape Cod
Sand & Pine Needle Ski School, flashes
a wedge turn in 1937. Christine Reid, 
New England Ski Museum.

Back in the U.S.A.

Sand skiing in the United States dates back at least to 1937 on the Cape Cod, Massachusetts, side of Nantucket Sound. According to the New York Times (Sept. 12, 1937), “Some of the dunes near Centerville are unusually long, permitting runs of 100 and 150 feet, on which a skier can attain speeds of about forty miles an hour. . . Wooden skis slide easily on the sand and gain speed, particularly when the sand is covered by short grass or pine needles.”

At any rate, those Centerville dunes are long gone, according to Patti Machado, town of Barnstable Director of Recreation in Hyannis, Massachusetts. “We do not have any dunes. I think that the beach topography may have been different back then,” she emails Skiing History.

One famed sand skiing competition was Sandblast in Prince George, British Columbia, held every August from 1971 to 2003. It attracted thousands of spectators to a dual slalom race among so-called “sandblasters” who didn’t want summer to get in the way of their favorite sport. Just north of the city by the Nechako River is a steep hill called the Cutbanks where 10 to 15-sec. races were once held on a 500-foot slope of sand and gravel. It was popular over the decades and people traveled long distances to participate, including filmmaker Warren Miller, according to FreeThoughtBlogs.com.

Amazingly, no one was ever seriously injured. But according to the TV show BC Was Awesome, hosted by Bob Kronbauer, in 2003 some yahoos descended in a three-wheeled couch. The resulting crash scared off the insurance companies, leading to a permanent ban.


The 1980 Epoke Beach Classic, in
Redondo Beach, California, attracted
media, which trumpeted "sand skiing
is sweeping the country. Peter Graves.

Sand and Deliver

Sand skiing was also popular as a cross-country competition on Pacific Ocean beaches during that era. In 1980, Bjorn Arvnes of Norway, winner of the 1977 American Birkebeiner, won the sand XC skiing title at the Epoke Beach Classic at Redondo Beach, California. Event producers were Larry Harrison, a rep for NorTur, the U.S. importer of Epoke Skis, and Peter Graves, NorTur marketing director.

The sand skiing stunt appeared on NBC’s Real People, page one of the Los Angeles Times, and even in the National Enquirer, which wrote breathlessly that “sand skiing was sweeping the country.” Tom Kelly, who handled event promotion with Graves, tells Skiing History, “It was a hugely successful media event for the time, garnering national coverage for Epoke.”

Other favorite North American sand skiing locations are Jockey’s Ridge State Park in North Carolina, White Sands National Park in New Mexico, Idaho’s Bruneau Sand Dunes and St. Anthony Sand Dunes, California’s San Bernardino Mountains, and Sandbanks Provincial Park in Ontario.

In the end, sand has an enduring advantage over snow: It doesn’t melt. 

ISHA VP Jeff Blumenfeld’s most recent contribution to Skiing History was “The Day They Threw Cow Chips in Las Vegas” (January-February 2021).

Category
Open to Public?
Off
Feature Image Media
Image
Timestamp
Author Text
By E. John B. Allen

Before Aspen, Ashcroft and Mount Hayden promised a cable car, ‘immense schusses,’ a village for 2,000. Then World War II intervened.

Photo above: A map drawn by Roch of his vision for a ski resort in the greater Aspen area. Courtesy Aspen Historical Society.

It is difficult now to realize that Aspen’s skiing development did not start in town but out on Castle Creek, where the Highland Bavarian Lodge housing two European guides was to offer ski touring for wealthy clients.

 

Andre Roch (foreground) and Billy Fiske
en route to Mt. Hayden in 1937, scouting
for the development of a ski area. Aspen
Historical Society.

 

What a curious tale. During the summer of 1936, one-time Aspen resident Tom Flynn was peddling mining claims and happened on Billy Fiske at a party in Pasadena, California. Fiske came from a wealthy Chicago banking family. He was a sometime dilettante Hollywood film maker, flyer, member of the gold-winning Olympic bobsled team in 1928, and captain of the sled that was victorious four years later at the Lake Placid Games.

Fiske was as well-known on the Cresta run in Switzerland as he was in England’s society circles. Flynn showed him photographs of the mining claims but it was the area as a possible ski region that attracted Fiske, just as those photos had impressed Ted Ryan, New York banker, heir to the Anaconda Copper fortune and brother of Mont Tremblant developer Joe Ryan.

 

Roch (left) and Fiske on Hayden's
summit. AHS.

 

Fiske, Ryan, and Flynn bought land on Castle Creek, started construction of the Highland Bavarian Lodge, hired Swiss skier, mountaineer and already avalanche expert, André Roch, along with Gunther Langes, a south Tyrolian who had organized the world’s first giant slalom, on Italy’s Marmolata in 1935. The two made the trans-Atlantic crossing and arrived in Aspen in December 1936.

We know much of this from the article Roch wrote for the Swiss ski journal Der Schneehase. From this article and from Ted Ryan’s papers, deposited with the Aspen Historical Society, “what might have been” can be pieced together. For admirers of “what if” history, it makes for a fascinating study.

Roch and Langes believed they were being hired to scout out land in Colorado where a major ski resort might be financed, much the way Count Felix Schaffgotsch had done a year earlier for Union Pacific Railroad’s chairman Averell Harriman, which led to Sun Valley, America’s first purpose-built winter ski resort.

 

Construction of Highland Bavarian
Lodge, 1936. AHS.

 

However, when the two arrived in Aspen they discovered “with some unease” that they were not to explore the Rocky Mountains, since Fiske and Ryan had already chosen the location. Their remit was “simply to verify its excellence, to check on terrain and climate,” all to ensure that the location was suitable for “the launching of a big winter sports resort.” However charming the lodge might be, Roch was immediately critical of the setting of the Highland Bavarian Lodge at the juncture of Castle Creek and Conundrum, about five miles from Aspen.

In a steep-sided, avalanche-prone valley, with wind-battered snowfields far above the tree line, this was not the St. Moritz of America. Worst of all, wealthy guests from Boston, New York, Philadelphia and Chicago had already been booked into the Lodge and expected to revel in pristine snowfields, guided by experienced Europeans…and it was a snow poor December.

 

Billy Fiske, Otto Schniebs, Joe Sawyer,
Bob Rowan, Mike Magnifico case the
joint, 1937. Charles Grover, AHS.
​​​​​

 

The Lodge was not even finished, so Roch and Langes bedded down in Aspen’s Jerome Hotel and took clients up towards what is now Little Annie. Fiske and Ryan saw the town of Aspen, with its road connections to Glenwood Springs and over Independence Pass, and its railroad, as the hub of skiing. Before Roch left in June 1937, he had marked out a trail for the newly-formed ski club to cut. This became known as the Roch Run.

But 12 miles out of Aspen, farther on up the Castle Creek valley, lay Ashcroft, population one, remnant of a mining outpost. Now, said Roch, there was a real possibility as it sat in a natural bowl surrounded by 12,000-foot peaks. With plenty of options for ski runs on east and north-facing slopes, it would be “a resort without competition.”

Roch climbed from Ashcroft towards Hayden Peak on January 15, 1937. He turned back before reaching the top but had seen enough of the Conundrum valley and had admired the surrounding peaks: Pyramid, Snowmass, Castle, Cathedral and most spectacularly, the Maroon Bells.

 

Winter Sports Carnival, February 27,
1937 at the Highland Bavarian
Lodge. AHS.

 

That spring Roch, Langes and Fiske climbed Hayden. Soon after, renowned Eastern skiers like Otto Schniebs came out to be amazed by the spectacular West. And from Denver came ski manufacturer Thor Groswold and skiing man-about-town Frank Ashley. Other areas were explored, too.

The conclusion was inescapable: Fiske and Ryan had untouched resort territory. The road into Ashcroft would need rebuilding and in some places re-routing to avoid avalanches. Hotels were planned to hold 2,000 skiers. That figure was gauged to make a cable car up Mount Hayden economically feasible. The accompanying map indicates the lifts with the mid station marked leading to a second lift to reach a hotel at the top, some 3,000 feet above the valley floor.

 

Highland Bavarian Lodge, 1938. AHS.

 

Beginners were not forgotten, with the more gentle ski fields near the road, and two jumps were planned. Roch added comments, underscoring the importance of slopes on the north and eastern sides; south- and west-facing slopes had too much sun, too little snow and the western side was subject to winds. The first of two connecting chairs was proposed from Ashcroft to Monument. The second chair was to reach the summit of Electric Peak, providing a 2,000-foot-plus vertical.

This was vital because it would give access to Hayden’s ridge and thus to Cathedral Lake and on down to Pine, Sandy and Sawyer creeks. From there, transportation would be needed to get back to Ashcroft. Altitude was the drawback. Topping out at 13,600 feet, bad weather would shut the lift complex down. Even so “this splendid ski-area would not be developed into its proper capacity without it.” Descents from the top could be compared to the Parsenn. With “immense Schusses,” Roch skied down to Ashcroft in twenty minutes. He was ecstatic. And the valley below was long and broad, large enough “to combine hotels, bungalows and parking places.” A Swiss village was envisioned.

In Denver, the Colorado legislature voted a $650,000 bond for the lifts. Ashcroft was going to be the “Williamsburg of the Old West,” enthused architect Ellery Husted. Ted Ryan was all enthusiasm, too. As he recalled for the documentary Legends of American Skiing: “We had an area bigger than Zermatt.” “We were all set to go, and then ‘bang’ World War II came and Billy Fiske was shot down during the Battle of Britain.” Fiske, flying a Hurricane for 601 Squadron, was badly wounded when his plane was hit. He managed to fly his machine home, but died in hospital two days later. His death and the war ended what might have been the Mount Hayden development.

Maybe it is not all bad; backcountry skiers certainly like the way it has all turned out. The Ashcroft Touring Center became the first self-sustaining cross-country center in the U.S. in 1971, and its Pine Creek Cookhouse provides a uniquely memorable dining experience. And, as patrons will attest, the views are “unreal.” 

 

Mt. Hayden
Category